Actors Theatre of Louisville to Produce All-Trans and GNC Reading of ‘The Wolves’ by Sarah DeLappe

As a coordinated attack on transgender youth escalates across the country, Actors Theatre of Louisville and casting director/producer Charlie Hano are partnering on an all-trans/gender non-conforming reading of Sarah DeLappe’s The Wolves, about an indoor soccer team navigating adolescence as they go through their daily warmups. Amid passing drills and stretching routines, a portrait emerges of nine teenage athletes actively figuring out their roles in the changing world around them.

All proceeds exceeding costs will go directly to the ACLU of Kentucky for their advocacy and support of trans rights.

Tuesday, June 29, 2021
7:30 p.m. EDT

The Wolves
written by Sarah DeLappe
directed by Regina Victor
produced by Actors Theatre of Louisville and Charlie Hano

Age Recommendation: 13+

Run Time: approximately 90 minutes

Tickets start at $10 at ActorsTheatre.org

The ensemble includes Sandra Caldwell, August Forman, Theo Germaine, Z Infante, Esco Jouley, J Riley JrSushma SahaOmer Abbas Salem, Quei Tann, Sawyer Smith, and Evie Shuckman.

The production was written by Sarah DeLappe and directed by Regina Victor. The production team includes casting director and producer Charlie Hano, stage manager and production designer Estrellita Beatriz, artistic producer Emily Tarquin, dramaturg and gender consultant Catherine Miller, and assistant director and dramaturg Emma Durbin.

Continue reading “Actors Theatre of Louisville to Produce All-Trans and GNC Reading of ‘The Wolves’ by Sarah DeLappe”

Dear White Critics: Stop Being Transphobic!

You may remember my last article in what must now become a series, Dear White Critics: Stop Using the N-Word, when Justin Hayford decided racial slurs were appropriate for a theatre column. Yesterday, Ben Brantley of the New York Times decided it was appropriate to make a joke out of the unveiling of a trans character’s pronouns in the new Broadway musical Head Over Heels’. The character? Oracle and non-binary plural narrator Pythio, portrayed by drag performer Peppermint, who is a trans woman. What’s notable is that it’s the first time a trans actor has ever created a principle role in a Broadway show, and that Pythio is one of a handful of genderqueer characters ever seen on Broadway. Therefore, as a critic, one might think Brantley would use this opportunity to celebrate that fact. Alas, instead he decided to say this: Continue reading “Dear White Critics: Stop Being Transphobic!”