‘Joe Turner’s Come and Gone…’ and He Took The Magic With Him

Revelation. The impact of finally understanding the unseen forces that conspire to create our world. A reveal, made in a surprising fashion, usually leading to ecstasy or a heightened dramatic state. 

Revelation is the engine of Joe Turner’s Come and Gone, the second play in August Wilson’s Century Cycle. Yet, it is noticeably absent from this production. Continue reading “‘Joe Turner’s Come and Gone…’ and He Took The Magic With Him”

‘Roe’ at the Goodman Theatre Gives Us Glimpses of a Famous Court Case

Roe at The Goodman Theatre, written by Lisa Loomer and directed by Vanessa Stalling, begins in the past, from the first court case of Roe v. Wade in 1970, and continues well on into the 2000s. The story itself brings in lots of quotes, monologues, facts, and information to give the audience, along with telling a segmented narrative from Norma, the woman behind Roe. This is a lot of information for any audience to take in under two hours, especially given that the show jumps in time. While there is a lot of talking to the audience in the show, we never really learn anything new about the case or who Norma really is. The show isn’t so much about Roe as it is about glimpses of ideas without a solid foundation.

Continue reading “‘Roe’ at the Goodman Theatre Gives Us Glimpses of a Famous Court Case”

Goodman Theatre’s ‘Sweat’ Lays Bare the Passions of Working America

Sweat, written by Lynn Nottage, is a Pulitzer prize winner that focuses on race, debt in America, capitalism, and the working class. Director Ron OJ Parson’s production of Sweat at the Goodman is, at its core, about humanity, power, and the fight for survival. It’s about what will humanity do when they are pushed to the breaking point and worked like a dog. Sadly, the answer is not as black and white as it seems as Brucie states “you think they give a damn about you?”   Continue reading “Goodman Theatre’s ‘Sweat’ Lays Bare the Passions of Working America”