Ever since the smash hit true crime podcast Serial aired in 2014 and catapulted the medium into the national spotlight, many audio storytellers have taken that formula — that is, a plucky reporter from out of town comes in to try and solve a highly personal mystery — and tried to fictionalize it with, in my opinion, limited success. Podcasts like TANIS, The Message, and Limetown tend to run up against the issue that the truly appealing thing about Serial was how off-the-cuff it felt, consisting as it did of Sarah Koenig talking to real people about real things. The obviously staged feeling of most fiction podcasts works against that tone a great deal. So how do you create a story that works in this formula?
Well, if you are triple-threat playwright, lead actor, and co-director Gabriel Ruiz in The Fifth World at Teatro Vista, the answer seems to be that you lean as hard away from realism as possible, embracing the limitless possibilities of audio to create something otherworldly, strange, and transcendent.