Sideshow Theatre Company Offers Artistic Residency to Playwright Preston Choi

CHICAGO (July 22, 2021) – Sideshow Theatre Company has announced they will be offering a nine-month artistic residency to Chicago-based playwright Preston Choi. Through the residency, Sideshow will provide Choi with artistic and dramaturgical support as he develops his full-length play Drive-In to the End of the World. The residency will culminate in March 2022 with a reading of Choi’s final script. This residency strengthens the existing artistic partnership between Sideshow Theatre and Choi, who had previously been selected to participate in Sideshow’s new-play development program, “The Freshness Initiative.”

Artistic Director Regina Victor expressed their excitement for Sideshow’s continued partnership with Choi: “Preston originally joined us in collaboration for The Freshness, but as many of us have experienced, quarantine and working remotely have drastically altered the process. We have instead decided to innovate and devise a residency that would once again center this talented playwright, whom we are fortunate to host. This was a thrilling opportunity to take a step back from the capitalist mindset and center ourselves in practices of process over product and the limitless potential world-building of Black Radical Imagination.”

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‘Something Clean’ Explores the Reverberations of Assault at Sideshow Theatre

Something Clean by Selina Fillinger, tells the story of a woman trying to cope after her son is convicted and sent to prison on sexual assault charges. Produced by Sideshow Theatre Company and Rivendell Theatre Company in collaboration, directed by Lauren Shouse, Something Clean asks audiences to consider the trauma and attempts toward healing for the families of rapists. Continue reading “‘Something Clean’ Explores the Reverberations of Assault at Sideshow Theatre”

Kristiana Rae Colón’s ‘Tilikum’ Reflects Humanity’s Misguided Priorities

There is a moment in the television show “Community” where a white girl says, “I can excuse racism but I draw the line at animal cruelty.” It’s one of the most succinct jabs at the tendency and ability of privileged white folks to dismiss the pain and oppression of their fellow human beings in favor of appearing “progressive” in other ways. And I couldn’t stop thinking about that quote as I was watching Kristiana Rae Colón’s “Tilikum” — the world premiere currently running  at Sideshow Theatre Company. Continue reading “Kristiana Rae Colón’s ‘Tilikum’ Reflects Humanity’s Misguided Priorities”