Jump In, Feet First:  Cycles and Growth in Writers Theatre’s Eurydice

Eurydice and Orpheus begin with bare feet. They are at the beach, about to jump in. They are lovers and you can feel it– they kiss and tussle and banter. Then, Orpheus gets down on one knee and they jump in, feet first. 

Eurydice is a play about life cycles. The lovers are separated by Eurydice’s sudden death on their wedding day. A stark beginning with a starker end. She reunites with her father in the underworld with no memory of who he is. She must relearn everything she once knew. A rebirth. And the cycle begins again.

When Eurydice enters the underworld, by way of an elevator that’s raining from the inside, she enters in shoes. It’s striking because even at her wedding she was barefoot. Her feet are covered and her memories are gone. And I wonder, is there something about touching your bare feet to the world (or… underworld) that connects you to yourself?  Continue reading “Jump In, Feet First:  Cycles and Growth in Writers Theatre’s Eurydice”

Walkabout Theater’s ‘A Persephone Pageant’ Reimagines the Demeter Myth as a Parable About Climate Change

Hallie Palladino

(Featured image: Obsessive Eye Photography)

Walkabout Theater just finished a tour of their their newest devised piece, A Persephone Pageant. My children and I caught the recent Chicago performance on the grassy lawn behind The University of Chicago’s Reva and David Logan Center for the Arts. The family friendly pageant, co-directed by Jessica Thebus and Thom Pasculli, incorporates original text by Sarah Ruhl and Morgan McNaught and features choreography by Kristina Isabelle, music by Mark Messing and puppets by K.T. Sivak and Jackie Valdez. The play updates the Demeter myth imagining Persephone as Water and Hades as Greed, remaking the story into a contemporary parable about climate change. Continue reading “Walkabout Theater’s ‘A Persephone Pageant’ Reimagines the Demeter Myth as a Parable About Climate Change”