Stop Kiss by Diana Son is the story of two young women, Sara (Kylie Anderson) and Callie (Flavia Pallozzi), living in New York in the late nineties. Each scene in the play alternates between two timelines; half of the scenes depict Sara and Callie as they meet for the first time, develop a friendship, and then slowly realize that their friendship might be something much deeper, lovelier, and more serious than they initially thought. Other scenes depict a near future where Sara is attacked by a violent man after her and Callie’s first kiss, in an act of homophobic violence. Callie must deal with the various reactions of friends, family, police, and the news media, while still struggling with her evolving feelings for Sara.
Stop Kiss is a play about the dichotomy of being queer; its very structure is a contrast between discovering the joy and freedom of stepping away from societal norms, and the pain caused by an unjust society which punishes that discovery at every turn. Director Kanomé Jones has put together an ensemble that understands this dichotomy on a visceral level, with the result that this collaboration between Pride Films and Plays and Arc Theatre touched something deep within my little queer heart in a way that no show in recent memory has.
Continue reading “‘Stop Kiss’ (Pride Films and Plays and Arc Theatre) Illustrates the Duality of Queer Life”
Casa Valentina takes place in a small resort hotel in the Catskills, a location based off a real historical place called Casa Susanna — which, in the 50’s and 60’s, became a sort of haven for both trans women and cross-dressing men. The hotel’s clientele consisted largely of middle-class white-collar workers who lived as married, heterosexual men for most of the week, but came to Casa Susanna on the weekends to put on women’s clothing, wigs, and makeup, and simply live as women for a short time before returning to their daily lives. Casa Valentina, which was written by Harvey Fierstein and debuted on Broadway in 2014, serves as an only slightly fictionalized glimpse of an oft-forgotten pocket of LGBT history — and this production in particular tackles the play’s issues with confidence and resolve that make the already relevant themes entrancingly urgent. Continue reading “‘Casa Valentina’ is a Fascinating and Heart-Wrenching look into LGBTQ History”
Luxuriously outfitted with delightful costumes by Shawn Quinlan, GRINDR THE OPERA at Pride Films and Plays follows the trials and tribulations of four gay men looking for love and/or no strings attached sex on the web. Their search invokes the siren Grindr, who guides the men through their journey of lust. A regal Bruno Rivera plays the goddess Grindr, narrating the tale through countless costume changes and wondrously soaring arias, with the help of her dazzling sidekicks Occulto (Andrew Flynn) and Dilectus (Brandon Krisko). Continue reading “Cheeky Arias Drive A Queer Love Revolution in ‘GRINDR THE OPERA’”
“I know my heart, and have studied mankind; I am not made like anyone I have been acquainted with, perhaps like no one in existence; if not better, I at least claim originality, and whether Nature did wisely in breaking the mould with which she formed me, can only be determined after having read this work.”
– Jean-Jacques Rousseau, Confessions (1782)
Queer people, folks who defy expectations and bring vital complexity to life simply by being, have always existed. In every part of the world, wherever there were people, there were also queer people. How these ancestors are remembered, if at all, is a matter of who is telling their story. Directed by Elizabeth Swanson, I Know My Own Heart is drawn from the life of Anne Lister, an early 19th century British landowner and traveller, and told in her words. It is a ritual of remembering. Continue reading “Queer Regency Reigns in ‘I Know My Own Heart’ at Pride Films and Plays”
Set in New York City and spanning 2006-2011, HOMOS, or Everyone in America by Jordan Seavey, now playing at Pride Films and Plays, is a fast paced and up-close and personal examination of the lives of two gay men in love. Continue reading “Is Love Enough? ‘HOMOS, or Everyone in America’”