Volta is Cirque Du Soleil’s newest touring show that is based on the theme of embracing differences, social media isolation, and finding sparks of childhood magic.
Circuses have a long and exploited history, especially in America. Yet, Cirque is all the fun of the circus made sophisticated and without the guilt. It probably why it’s still one of the few lasting circus-like traveling shows. I have nostalgia towards the circus and big top events. I crave the spectacle and audience engagement that the circus provides, but not the elephant and horse animal abuse from touring circus’ like Barnum and Bailey or The Ringling Brothers. Not to mention, the added danger of performers working with hungry and wild animals, which resulted in the closing of many circus’ in the 1990s and 2000s. I wasn’t disappointed with Volta, because it’s more than just a “circus”. Cirque Du Soleil’s marketing of being beyond a “circus” has become a rising trend in spectacle performances. Continue reading “‘Volta’ is Cirque Du Soleil’s Mysterious and Exciting Adventure at Soldier Field”
I love Matilda. Specifically the musical which I’ve seen twice on the West End, which is why I was so excited to review Drury Lane’s production directed by Mitch Sebastian. Part of my love comes from nostalgia as I grew up watching the 1996 movie and reading Roald Dahl’s classic novel. The other part of my admiration for Matilda comes from the fact that Roald Dahl wasn’t afraid to tackle tough issues in his books, and this musical doesn’t shy away from those issues either, unlike the 1996 movie. The show themes range from revenge, abuse, power hierarchies, loneliness, trauma, and the loss of adolescence. Continue reading “Drury Lane’s Ambitious, Entertaining ‘Matilda’ Leans Toward the Chaotic”
Cambodian Rock Band written by Lauren Yee, is directed by Marti Lyons at Victory Gardens. The premise of the play is in the name, but the show encompasses so much more depth than the careers of a rock band. It’s about the trauma of genocide in Cambodia, family dynamics, and how one can repair themselves through music. Continue reading “‘Cambodian Rock Band’ Delivers Reality-Shattering Performances”
Sweat, written by Lynn Nottage, is a Pulitzer prize winner that focuses on race, debt in America, capitalism, and the working class. Director Ron OJ Parson’s production of Sweat at the Goodman is, at its core, about humanity, power, and the fight for survival. It’s about what will humanity do when they are pushed to the breaking point and worked like a dog. Sadly, the answer is not as black and white as it seems as Brucie states “you think they give a damn about you?” Continue reading “Goodman Theatre’s ‘Sweat’ Lays Bare the Passions of Working America”
Remember the Alamo is a world premiere Neo-Lab original being performed at The Neo-Futurist Theatre. The show is created by Neo-Futurist ensemble member: Nick Hart and directed by Neo-Futurist Artistic director Kurt Chiang. This production promises its audience that they will help the actors fully recreate the Alamo battle. This show contains more than that, it also has themes of death, interesting facts about Phil Collins, and a narrative of what it’s like to be mixed-race in America through individual personal narratives. Continue reading “Heritage, History, and Comedy in ‘Remember The Alamo’”
On Clover Road is a Chicago premiere play written by Steven Dietz, performed at American Blues Theater and directed by Halena Kays. On Clover Road demands the audience to consider how far they would go to save those they love, and those terrible moments when you discover someone is not who they said they were. Dietz’s play show centers a woman who believes she will be reunited with her daughter, but she has become a member of a dangerous cult. The following twist and turns will leave you on the edge of your seat. Continue reading “Everyone Is Not Who They Seem in ‘On Clover Road’”
Evil Dead: The Musical written by George Reinblatt produced by Black Button Eyes at the Pride Arts center feels unlike many theatrical experiences I’ve had before. It’s directed by Black Button Eyes production’s leading director Ed Rutherford, who knows how to stage the supernatural. The patrons coming in were all buzzing full of energy, excited to be sitting in the splatter zone. Some were wearing safety glasses to protect themselves from fake blood while others had on all white, prepared to embrace the messiness of the show, as rock music blared through the speakers. Continue reading “‘Evil Dead: The Musical’ is a Whirlwind of Camp and Horror”
Get to know Lonnae Hickman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Lonnae’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Lonnae and her cohort’s writing in our Key Reviews section!
Name: Lonnae Hickman
City/State: Originally from Milwaukee, WI, but now in Chicago, IL
Racial / Ethnic Identity: Black/Native American
Gender Identity and Sexual Orientation: Cis Queer Woman
Why do you want to write for Rescripted?:
I want to write for Rescripted because I’m dedicated to reviewing all types of theatre, not just the ones in the loop. Rescripted’s mission is working on giving honest and appropriate reviews for shows that are normally left out – shows that I believe are fundamental to Chicago and the theatre world. Continue reading “Meet The Keys – Lonnae Hickman”
These are the fourth set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Rightlynd at Victory Gardens Theater below!
Continue reading “Key Reviews: ‘Rightlynd’ at Victory Gardens Theater”
These are the second set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of The Curious Incident of the Dog in the Night-Time at Firebrand Theatre in collaboration with Timeline Theatre below! Continue reading “Key Reviews: The Curious Incident of the Dog in the Night-Time”