In the fallout of Christopher Nolan’s Oppenheimer, Lifeline Theatre brings the end of the world to the stage with an adaptation of Kurt Vonnegut’s timeless cautionary tale, Cat’s Cradle. This 1963 satire follows a freelance writer and his research into the enigmatic life of Dr. Felix Hoenikker. This fictional Nobel Prize-winning scientist, loosely inspired by J. Robert Oppenheimer and Irving Langmuir, is renowned for his pivotal role in the creation of the atomic bomb. As the narrative unfolds, the writer becomes increasingly ensnared in the surreal and apocalyptic consequences stemming from Hoenikker’s final creation. Lifeline Theatre ensemble member John Hildreth’s adaptation of Vonnegut’s classic novel is a relevant retelling amplified by director Heather Currie’s explosive production.
Miss Holmes Returns at Lifeline Theatre is one of those rare shows where the storytelling craft of it — the technical design, the direction, the performances, and the admirable effort and talent of everyone involved — is phenomenally executed with passion and panache, but is also somehow the least interesting thing about it. What really jumped out at me about Miss Holmes Returns were the themes: the things it has to say about fighting for what you believe in, finding the strength in admitting weakness, and how to enjoy the collapse of an empire. This is the rare historical piece that feels blisteringly relevant to the modern day; rarely have I had so much fun at the theater while also feeling so refreshingly validated by a show’s politics and message.
Phil Timberlake’s adaptation of Emma at Lifeline Theatre is an engaging and dynamic piece of work, directed with a clear hand by Elise Kauzlaric. Based on the Jane Eyre novel of the same name, Emma follows the protagonist of the same name as she matchmakes through her fictional English countryside community of Highbury. As she interferes in all of her neighbor’s love lives, she creates a big mess and must recognize the desires of her own inner heart in order to put everyone back together. Continue reading “A Whirlwind ‘Emma’ with Heart at Lifeline Theatre”
The Man Who Was Thursday is adapted from a novel originally published in 1908, but I went into it knowing nothing and I cannot recommend this approach enough. Currently running at Lifeline Theatre, The Man Who was Thursday is a lovely byzantine maze of subterfuge, false identities, and plot twists, and the less you know going in, the more fun you’ll have. Continue reading “‘The Man Who Was Thursday’ is a Pitch-Perfect Mix of Intrigue, Nostalgia, and Innovation”
Lifeline Theatre’s musical adaptation of Jon Klassen’s children’s book, We Found a Hat, shows a friendship put to the test. The play, adapted by Jessica Wright Buha and directed by Manny Tamayo follows two turtles, Sizi (Amanda Roeder) and Kai (Terry Bell), on a journey from their summer habitat to their winter burrow. To get there they must traverse a perilous desert. A meddling Cactus (Scott Sawa) makes a bet with the optimistic Sun (Gabriella Fernandez) that he can drive a wedge between these close friends. The setup has echoes of the devil betting God he can throw Job off his goodness game. The turtles unwittingly fall victim to this mean-spirited social experiment designed for The Cactus’s entertainment. The Cactus, personified as a menacing cowboy with a southern drawl and an excessively large hat, takes off said hat and leaves it in the path of the turtles, jumpstarting the conflict of the play. Continue reading “‘We Found a Hat’ Takes the Wisdom of Sharing to the Preschool Crowd”
Montauciel Takes Flight at Lifeline celebrates science and the spirit of invention. You know a children’s show is successful if the kids are singing the songs on the car ride home. The charming original musical Montauciel Takes Flight, by James E. Grote (book) and Russell J. Coutinho (music and lyrics), directed by Aileen McGroddy, is based on the true story of the first living creatures to ride in a hot air balloon. The play tells the story of the Montgolfier brothers, paper manufacturers in 1783 France who launched a balloon containing a duck, a rooster and a sheep named Montauciel, a name that means “climb-to-the-sky.” The balloon and its animal occupants landed safely after traveling over two miles, ushering in a new era of manned flight. Continue reading “‘Montauciel Takes Flight’ Makes Science Soar at Lifeline Theatre”