Paloma Nozicka’s two-hander script, Enough to Let The Light In, grips you from the very beginning and doesn’t let go. Director Georgette Verdin builds a deliberate pulse underneath the work, aided by Stefanie M. Senior’s spooky’ sound design and Sotirios Livaditis’ set, full of delightful tricks that drive the action forward.
Enough to Let The Light In is one of the tightest and most satisfying new plays I’ve seen in a long time. The economy of language and onstage movement means every action matters, even where a guest hangs their coat becomes a point of dramatic tension. It’s very hard for a story to get ahead of me, and I noticed pretty much every suspicious thing or could-be suspicious line of dialogue. Georgette Verdin directs the piece with a swift and intentional hand, with incredible attention to the details. The actors are so compelling, I forgot what I’d seen, and was shocked all over again by the discovery that my suspicions were correct! Continue reading “‘Enough To Let The Light In’ Creates Terror Out of Love’s Shadows”
It’s spooky season and Chicago playwright Ike Holter is delivering some delicious horror content via The Roustabouts for your pleasure this Halloween. The Roustabouts have announced the upcoming release of their first Audio-Thriller available for streaming and download. On October 28th, at 8pm, the creative arts ensemble will drop the world-premiere production of Put Your House In Order by Ike Holter to be available from just before Halloween until right before election day, closing at 11:59pm Central on Monday November 2nd. The play will stream for free, and suggested donation is $10 at www.PYHIO.com. Continue reading “Ike Holter’s “Put Your House In Order” to be Adapted for The Roustabouts Audio-Thriller”
Evil Dead: The Musical written by George Reinblatt produced by Black Button Eyes at the Pride Arts center feels unlike many theatrical experiences I’ve had before. It’s directed by Black Button Eyes production’s leading director Ed Rutherford, who knows how to stage the supernatural. The patrons coming in were all buzzing full of energy, excited to be sitting in the splatter zone. Some were wearing safety glasses to protect themselves from fake blood while others had on all white, prepared to embrace the messiness of the show, as rock music blared through the speakers. Continue reading “‘Evil Dead: The Musical’ is a Whirlwind of Camp and Horror”
The Displaced by Isaac Gomez is going into the final weekend of a phenomenal run at Haven Theatre this Friday. Gomez is a versatile writer who is using this script to explore the theme of home and gentrification with a razor sharp wit and a lot of terror. The play opens with a young couple moving into a fixer upper apartment in Pilsen and trying to unpack. Marisa (Karen Rodriguez) is a young artist who takes her work very seriously and yet her rent is paid by her hard working parents. Lev (Rashaad Hall) is her sweet boyfriend who is working as a server but can’t quite make enough money to make ends meet. The absence of money creates a rift in their relationship that is quite relatable. Part of the myth of adulthood is having the income to establish our own space, something unachievable for many millennials and a conversation that we don’t have enough. Continue reading “Isaac Gomez’s ‘The Displaced’: A Gentrification Horror Story”
The Light Fantastic combines Ike Holter’s brilliantly funny writing with formidable production design that makes the play, directed by Gus Menary, work on several levels. It’s a deliciously spooky thriller with a reverse Faustian twist. It’s an endearing romantic comedy. It a clever send-up of horror genre tropes (I likely missed five references for every one that I caught). And it offers up a refreshingly empowering narrative that hinges on female agency as opposed to the female helplessness the genre has long relied upon. The play also has a strong moral point of view as it touches on subjects as wide ranging as bullying, homophobia, taking advantage of your friends and the grave error of ignoring your mother’s phone calls. On a more philosophical level this play is about characters asserting the right to face death on their own terms as they grapple with Kantian questions of moral duty. Continue reading “Ike Holter’s ‘The Light Fantastic’ is Horror-Comedy at its Smartest”
This review is penned by Logan McCullom, alumni of The Key: Young Critics Mentorship Program.
The lights had not been up for more than five minutes and already I knew this play was something else, something that was not being advertised, of course. Something dark. I find it hard to produce an effective horror play, and while Girl Found at Idle Muse is not one, it certainly had the potential to be because of its tendency to chill and thrill. Girl Found kept me on the edge of my seat as I tried to decipher what was not said but meant, and what was not felt but forgotten. Continue reading “Reinvention and Catastrophe Thrill in ‘Girl Found’”