Paloma Nozicka’s two-hander script, Enough to Let The Light In, grips you from the very beginning and doesn’t let go. Director Georgette Verdin builds a deliberate pulse underneath the work, aided by Stefanie M. Senior’s spooky’ sound design and Sotirios Livaditis’ set, full of delightful tricks that drive the action forward.
Enough to Let The Light In is one of the tightest and most satisfying new plays I’ve seen in a long time. The economy of language and onstage movement means every action matters, even where a guest hangs their coat becomes a point of dramatic tension. It’s very hard for a story to get ahead of me, and I noticed pretty much every suspicious thing or could-be suspicious line of dialogue. Georgette Verdin directs the piece with a swift and intentional hand, with incredible attention to the details. The actors are so compelling, I forgot what I’d seen, and was shocked all over again by the discovery that my suspicions were correct! Continue reading “‘Enough To Let The Light In’ Creates Terror Out of Love’s Shadows”
