REVIEW: ‘A War of the Worlds’ at Theatre in the Dark is Both Cosmic and Intimate

A War of the Worlds adapts H.G. Wells’ classic tale of extraterrestrial invasion for the present day with a production designed for this new era of digital performance, inspired by the legendary 1938 Orson Welles broadcast. Theatre in the Dark’s hallmark style expertly translates a thrilling new piece originally planned for in-person performance to a purely audio medium. Rather than sitting in a darkened space with other theatergoers, audiences are invited to curate their own “dark and cozy” environment, pick up a drink, and listen in.

Set in and around modern-day Chicago, A War of the Worlds documents a battle for the planet between Earth forces and an invading Martian army. The script begins in retrospective, as The Professor (Ming Hudson) combs through artifacts left behind by a married couple separated while trying to flee the area. Science journalist H.G. Wells (Mack Gordon) and photographer Isabel Wells (Elizabeth McCoy) each capture world-ending events, described in gripping detail to the audience listening from home. This live virtual audio drama, co-authored by Corey Bradberry and Mack Gordon (and directed by Bradberry), skillfully adapts the novel with captivating language that matches the production’s renowned predecessors.

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