Nikki Lynnette describes herself as a “possibility model,” rather than a role model, in her autobiographical afrogoth punk-pop musical Get Out Alive. Lynette, an acclaimed hip-hop artist, shares her life story and recounts past suicide attempts, psychiatric institutionalization, her mom’s battle with cancer, and how she made it out alive. This musical is part memorial, part memoir, and part indie concert. The show features live performance mixed with engaging video testimonies and dynamic projections designed by Chris Owens.
Within the Bookspan lobby at the Den Theatre, Haven’s producers curate a punk rock memorial space for the loved ones we have lost and the parts of our own selves in need of healing. Statistics plaster one wall reading “Depression is the leading cause of disability worldwide,” and “Nearly 50 million Americans have mental health issues.” Another wall has the prompt “I get out alive by…” Markers are laid out for audience response, and you can peruse a bountiful list of self-care tips already written by previous attendees. A table is stacked with resources for those suffering from depression and/or thoughts of suicide.
Continue reading “‘Get Out Alive’ at Haven Theatre Makes Space for Us to Grieve”
The Displaced by Isaac Gomez is going into the final weekend of a phenomenal run at Haven Theatre this Friday. Gomez is a versatile writer who is using this script to explore the theme of home and gentrification with a razor sharp wit and a lot of terror. The play opens with a young couple moving into a fixer upper apartment in Pilsen and trying to unpack. Marisa (Karen Rodriguez) is a young artist who takes her work very seriously and yet her rent is paid by her hard working parents. Lev (Rashaad Hall) is her sweet boyfriend who is working as a server but can’t quite make enough money to make ends meet. The absence of money creates a rift in their relationship that is quite relatable. Part of the myth of adulthood is having the income to establish our own space, something unachievable for many millennials and a conversation that we don’t have enough. Continue reading “Isaac Gomez’s ‘The Displaced’: A Gentrification Horror Story”
Bertolt Brecht’s Fear & Misery in the Third Reich is a deeply chilling series of short plays detailing life in Hitler’s Germany. Director Josh Sobel’s well-curated presentation of these vignets captures the immediacy of the fascist threat including: the dissemination of propaganda, attacks on free speech, the dismantling of the justice system and state sanctioned hate crimes. Continue reading “‘Fear & Misery in the Third Reich’ Revives Brecht’s Urgent Call to Action”
In a gallery at The Metropolitan Museum of Art Henry (Francis Guinan) guards Rembrandt’s Aristotle Contemplating a Bust of Homer. If it really depicts Aristotle at all. Henry is partial to the argument Rembrandt may have substituted the Greek painter Apelles in the philosopher’s place as an affront to the wealthy Italian who commissioned it. Were artists the true philosophers in Rembrandt’s opinion? For Henry, a scholarly man who has spent his life studying paintings and loving a poet, this seems about right. So begins Jessica Dickey’s funny and touching play, The Rembrandt, now enjoying its Chicago premiere at Steppenwolf Theatre in an elegantly designed production directed by Hallie Gordon.
Continue reading “A Smart and Touching Journey in Jessica Dickey’s The Rembrandt”
(Photo Credit: Austin D. Oie)
By Regina Victor
Before I embark on writing the review for We’re Gonna Die, written by Young Jean Lee and directed by Josh Sobel for Haven Theatre company, I have to explain the circumstances under which I am seeing and writing about this show. I am writing this review on the way home from my grandfather’s funeral. A few hours before opening curtain for We’re Gonna Die on May 7th, 2017, my grandfather died. I wasn’t sure I was going to make it to the show that evening.
I am so glad I got there. Continue reading “‘We’re Gonna Die’ at Haven Theatre Electrifies Audiences”