‘The Mothers’ at The Gift Theatre is a Dystopian Sendup of Mommy Influencer Culture

The first act of The Mothers, now playing at The Gift Theatre, is a satirical knife, slipped between the ribs by playwright Anna Ouyang Moench. The second act unflinchingly twists that knife, resulting in an eviscerating theatrical experience adroitly directed by Halena Kays.

The Mothers begins as a dystopian sendup of mommy influencer culture. Set in a hyper-saturated magenta playroom (designed by Lauren Nichols), the caregivers coo at their unseen offspring, placed amongst the audience. At the center of the story is Meg (a propulsive Stephanie Shum), a former lawyer who left her high-powered career for suburban stay-at-home-mom bliss. Meg’s new BFF Ariana (Caren Blackmore, effervescent) exudes an aura of maternal expertise that’s immediately complicated by a casual anti-vaxxer quip. She clashes with Meg’s best friend from law school, Vick (an assured Krystel McNeil) who’s come to visit, leaving her own baby behind. Vick finds no solidarity in her attempts to juggle a demanding legal career and the early months of motherhood. McNeil’s grounded energy provides an effective countercurrent to the electric duo of Shum and Blackmore. Continue reading “‘The Mothers’ at The Gift Theatre is a Dystopian Sendup of Mommy Influencer Culture”