On Wednesday, September 19, several Chicago artists received an invitation to audition for a play called Angel by playwright Henry Naylor. Angel is the second production in a series called “Arabian Nightmares”. The invitation was sent by local Chicago theatre Akvavit on behalf of Urbanite Theatre, located in Sarasota, Florida. Angel is inspired by fake news tweeted by the English-language news outlet Slemani Times. The tweet contained a photo of a woman named Rehana who was rumored to have killed as many as 100 members of ISIS. It has since been proven that though the photo, taken by Swedish journalist Carl Drott, was of a real woman, she was not Rehana, or “The Angel of Kobane” as they claimed. This story of the “Angel” has no basis in fact, and was disproved by the BBC in 2014. Rehana, “The Angel of Kobane,” never existed at all. Continue reading “When The Show Must Not Go On: Chicago Artists Respond to Controversial Casting Notice”
I have long held that the most powerful art is that which is deeply personal. Vietgone by Qui Nguyen, in its current production at Writer’s Theatre, is one such piece. The latest in a long line of lovely work from local director Lavina Jadwani, Vietgone is a romp of a love story, but its real power lies not solely in the budding relationship between the two leads–but in the writer’s journey of understanding his own parents.
Regina Victor of Rescripted asked Emma Couling to sit down and chat with Rescripted about her growth as a writer over the past year, and what ensued was a badass conversation. Emma Couling is a freelance arts writer who contributes to Rescripted, you can read more about her work here.
How did you become a critic?
I never actively decided I wanted to be a critic. I didn’t even identify as a writer until two years ago. That summer, I had this experience where twice in one week, two different strangers groped me while I was going about living my life. And in that same week, The Reader published their exposé on Profiles Theatre Company. Continue reading “Rescripted Reveal: Arts Writer Emma Couling Will F*ck You Up”
There is a moment in the television show “Community” where a white girl says, “I can excuse racism but I draw the line at animal cruelty.” It’s one of the most succinct jabs at the tendency and ability of privileged white folks to dismiss the pain and oppression of their fellow human beings in favor of appearing “progressive” in other ways. And I couldn’t stop thinking about that quote as I was watching Kristiana Rae Colón’s “Tilikum” — the world premiere currently running at Sideshow Theatre Company. Continue reading “Kristiana Rae Colón’s ‘Tilikum’ Reflects Humanity’s Misguided Priorities”