The Spin is the story of an hour-long Zoom meeting between four publicists at the same firm, as they scramble to prepare for a TV interview involving one of their clients, the assistant to a local Mayor who had dealings with a recently scandalized – and promptly canceled – politician. Their mission? To spin the media narrative in the Mayor’s favor, to discredit the journalists with evidence against him, and to hide the fact that not only was the disgraced politician in question a former client of theirs, but a close personal friend to Deirdre — the head of the firm, and our protagonist.
Zoom theatre (as we’ve covered at length) is enormously difficult to do effectively, and The Spin is the best execution of it I have seen so far this year. Zoom’s most perilous flaws as a medium for storytelling are the same flaws that make it so frustrating in real life: the lags, the glitches, and the feeling of isolation. In my opinion, the best Zoom theatre takes these flaws and thrusts them into the spotlight, using them as fuel for the story’s conflict rather than ignoring them. The Spin does this in spades, and in doing so it manages to tell a searingly relevant, disturbingly hilarious, and incredibly tense story that manages to transcend both its medium and its subject matter.