‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present

Paula Vogel’s Indecent now playing at Victory Gardens begins with the cast of performers sitting upstage, almost blending into the set that transports you to an old Broadway style house, outlined with bright lights similar to a marquee. Upon first glance, the set appears to be a deep mahogany. But once the house lights go down, and the stage lights come up, the set is a cool cinder block grey. When the cast rises, ashes gush from the insides of their coats, hauntingly reflecting and foreshadowing the persecution Jews have faced. This opening image is so beautiful, it’s almost dream-like and sets the tone for the rest that will follow. Continue reading “‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present”

‘No Child’ Sparks A Conversation on Educational Injustice

No Child at Definition Theatre Company directed by Chika Ike takes an uncomfortable and hilarious dive into the inner workings of arts education in public schools. Nilaja Sun’s play investigates the disparities in our current school systems and its effect on both teachers and students with searing wit and no shortage of laughs. The audience is introduced to the school and its history by the dynamic and talented janitor, played with gusto by debrah kneal. Continue reading “‘No Child’ Sparks A Conversation on Educational Injustice”

‘Pillowtalk’ Examines Love Under Oppression

Pillowtalk presented at Victory Gardens Theatre was a highly moving, visceral depiction of two complex and vibrant individuals striving to lead successful lives and love one another within the constraints of white supremacist, heteropatriarchal, capitalism. Buck (AJ Moraga) is a print journalist who wants to do “good work” and change the world. Sam (Basit Shittu) is grateful to be employed by the Republicans after losing his shot at being an Olympic swimmer after a public drug scandal. The couple lives in a pricey, one-bedroom apartment in Brooklyn, NY, represented on stage by a minimalist set built to focus on an untidy, upright bed downstage center. The white apartment walls that flank the bed are creatively represented by two long vertical neon lights connected by a long, horizontal “ceiling” light. Continue reading “‘Pillowtalk’ Examines Love Under Oppression”

Black Lives Black Words Centers Black Women

Black Lives, Black Words is an artistic movement that began in Chicago but has since had events in two continents, three countries, and seven cities. Producer and playwright Reginald Edmund began this venture with Executive Producer Simeilia Hodge-Dallaway in 2015, prompting playwrights and spoken word artists to respond to the question “do black lives matter?”

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