Mass Resignation: A Letter from the Victory Gardens Playwrights Ensemble

On Friday May, 22nd, 2020, the Playwrights Ensemble of Victory Gardens resigned en masse via a public letter on Medium. See the full letter below.

Victory Gardens Theater Playwrights Ensemble:

Luis Alfaro, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho, Laura Schellhardt

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We, as an ensemble of resident artists at this venerable institution, are deeply
disturbed by the notion that our creative home aspires to be a truth-telling temple on its stage, but not in its administration.

This is unacceptable.

The Board of Directors, who are of service to our community, took it upon themselves to eliminate communication with the ensemble, artistic staff, stakeholders and artists who have labored for a decade to build up this theater and its new audience.

For over five months, and after receiving a letter signed by over 60 of its biggest supporters asking for accountability, the board sat on a plan to reorganize the institution.

It ignored the limitless possibility of what the field might have presented in terms of viable local and national leadership.
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Chicago Theatre Community Space for Healing, September 28th. CW: Assault

Content Warning: Sexual assault, Abuse, Sexual assault prevention

Members of The Chicago Theatre Community have created space this Saturday for the community to begin the process of healing in the wake of community member Joel Ewing’s arrest for sexual assault.

The space will be held at Victory Gardens’ upstairs Richard Christensen Theater, Saturday Sept 28th from 1-3pm at 2433 N Lincoln Ave.

In the organizers’ words: “This is not a panel or lecture, but an open conversation about how to support and heal our community and those affected. Experienced Sexual Assault Prevention Educators will be there to help guide the discussion if needed.”

The counselors are trained, and they are part of this resource and framework intended to empower and center community members who have been affected and are interested in beginning the healing journey, together.

See the organizers’ post below for more details:

‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present

Paula Vogel’s Indecent now playing at Victory Gardens begins with the cast of performers sitting upstage, almost blending into the set that transports you to an old Broadway style house, outlined with bright lights similar to a marquee. Upon first glance, the set appears to be a deep mahogany. But once the house lights go down, and the stage lights come up, the set is a cool cinder block grey. When the cast rises, ashes gush from the insides of their coats, hauntingly reflecting and foreshadowing the persecution Jews have faced. This opening image is so beautiful, it’s almost dream-like and sets the tone for the rest that will follow. Continue reading “‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present”

‘No Child’ Sparks A Conversation on Educational Injustice

No Child at Definition Theatre Company directed by Chika Ike takes an uncomfortable and hilarious dive into the inner workings of arts education in public schools. Nilaja Sun’s play investigates the disparities in our current school systems and its effect on both teachers and students with searing wit and no shortage of laughs. The audience is introduced to the school and its history by the dynamic and talented janitor, played with gusto by debrah kneal. Continue reading “‘No Child’ Sparks A Conversation on Educational Injustice”

‘Pillowtalk’ Examines Love Under Oppression

Pillowtalk presented at Victory Gardens Theatre was a highly moving, visceral depiction of two complex and vibrant individuals striving to lead successful lives and love one another within the constraints of white supremacist, heteropatriarchal, capitalism. Buck (AJ Moraga) is a print journalist who wants to do “good work” and change the world. Sam (Basit Shittu) is grateful to be employed by the Republicans after losing his shot at being an Olympic swimmer after a public drug scandal. The couple lives in a pricey, one-bedroom apartment in Brooklyn, NY, represented on stage by a minimalist set built to focus on an untidy, upright bed downstage center. The white apartment walls that flank the bed are creatively represented by two long vertical neon lights connected by a long, horizontal “ceiling” light. Continue reading “‘Pillowtalk’ Examines Love Under Oppression”

Black Lives Black Words Centers Black Women

Black Lives, Black Words is an artistic movement that began in Chicago but has since had events in two continents, three countries, and seven cities. Producer and playwright Reginald Edmund began this venture with Executive Producer Simeilia Hodge-Dallaway in 2015, prompting playwrights and spoken word artists to respond to the question “do black lives matter?”

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