How would you feel if you lived every day of your life as someone who fits the media description of a terrorist? What would this do to your mental health? In playwright Jonas Hassen Khemiri’s Chicago premiere of I Call My Brothers at Interrobang Theatre Project, we witness a 24 hour reality that is all too familiar to people of color. Under the direction of Abhi Shrestha, this play aims to amplify the experience of brown folks demonized and policed based on their appearance. Continue reading “A Captivating Everyman and His Harms: ‘I Call My Brothers’ at Interrobang”
This year in Chicago Theatre has been tumultuous yet full of so much growth. 2018 saw communities coming together like never before, with the Latinx Theatre Commons‘ Carnaval of New Latinx Works and the Alliance of Latinx Theatre Artists’ Awards.
We said goodbye to American Theatre Company, under the brief yet highly significant Will Davis’ leadership. His work pushing the boundaries of gender and casting still reverberates throughout this city. New leadership has arisen in the form of Andrew Cutler, Amanda Fink, and Eric Gerard, at Black Box Acting Company as they take over the mantle from Audrey Francis and Laura Hooper. Continue reading “Rescripted Recognized: Year In Review 2018”
Ni una mas. Ni una mas. Ni una mas.
La Ruta- written by Isaac Gomez and directed by Steppenwolf Ensemble member, Sandra Marquez- takes place 20 years ago, yet this story is full of similarities to the world in which we now live. Here in the United States, we have the Me Too Movement. Latin America has the Ni Una Mas Movement.
Isaac Gomez’s La Ruta follows femicide (the deliberate killing of women because they are women) in Cuidad Juárez. It is important to note that femicide is a global reality that isn’t unique to Mexico. Since the early 1990’s, thousands of women have disappeared without a trace in Juárez. Continue reading “La Ruta – Ni Una Mas (Not One More)”
Get to know Sierra Carlson, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Sierra’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Sierra and her cohort’s writing in our Key Reviews section!
Name: Sierra Carlson
City/State: Chicago, IL
Racial / Ethnic Identity: White
Gender Identity and Sexual Orientation: Female, Hetero
Why do you want to write for Rescripted?: I want to write for Rescripted because I want to support a platform for socially-conscious culture writing that questions the status quo and celebrates the revolutionary. Continue reading “Meet The Keys – Sierra Carlson”
Get to know Lonnae Hickman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Lonnae’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Lonnae and her cohort’s writing in our Key Reviews section!
Name: Lonnae Hickman
City/State: Originally from Milwaukee, WI, but now in Chicago, IL
Racial / Ethnic Identity: Black/Native American
Gender Identity and Sexual Orientation: Cis Queer Woman
Why do you want to write for Rescripted?:
I want to write for Rescripted because I’m dedicated to reviewing all types of theatre, not just the ones in the loop. Rescripted’s mission is working on giving honest and appropriate reviews for shows that are normally left out – shows that I believe are fundamental to Chicago and the theatre world. Continue reading “Meet The Keys – Lonnae Hickman”
Get to know Yasmin Zacaria Mikhaiel, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Yasmin’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Yasmin and her cohort’s writing in our Key Reviews section!
What, in your opinion, is the purpose of arts criticism?: Arts criticism is the way by which the ephemeral production of artists can be stamped into a place and time for posterity. By writing on the arts, we are creating a separate cannon that serves to document the who, what, where, when, how, and why of art for the present and future. Though criticism is viewed as assessing the quality of the work, it should also aim to root the production in our world. This means writing on the artists and acknowledging their social locations, their personal lenses. Continue reading “Meet The Keys – Yasmin Zacaria Mikhaiel”
The Revolutionists by Lauren Gunderson directed by Denise Yvette Serna is a necessary reflection on the role of femmes creating potent social change. In 2016, Donald J. Trump was elected President , becoming one of the most powerful men in the world. Of those who voted, 53% of white women backed Donald J. Trump over Hillary Clinton, preferring to advance a conservative agenda despite Trump’s well-documented history of violence against women, lack of political experience, and overall vile behavior. Since the election, many have been trying to dissect and understand just what happened in the 2016 election. The most effective analyses point a finger at the insidious nature of white supremacy, capitalism, and patriarchy as they manifest in the American oligarchic democratic experiment. Within this context, The Revolutionists play deftly points at the ways in which #whitefeminism continues to miss the mark, and it offers all femmes a hefty dose of hope and encouragement to continue fighting systems of oppression. Continue reading “‘The Revolutionists’ is A Rush of Hope for Femmes Who Fight”
These are the fourth set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Rightlynd at Victory Gardens Theater below!
Continue reading “Key Reviews: ‘Rightlynd’ at Victory Gardens Theater”
The Dark at The Top of The Stairs by William Inge holds a universal theme– life is hard, love is hard, but if you have the right people it’s all worth it. Directed by Jerell Henderson, it focuses on a family of four; a begrudged father, an abiding yet willful mother, the bratty younger brother and his closed off sister. We live in their home, more specifically their living room, for the entirety of this three-act production, it is littered with decor bringing an added authenticity to every moment (set design Sam Rausch). Continue reading “‘The Dark At The Top of The Stairs’ Challenges Life, Love and Companionship”
On the surface, Lifeline Theatre’s comedic, musical adaptation of Bunnicula is a fun family event that will have adults and young folks chuckling at animated characters and fun choreography the entire time. On a deeper level, Bunnicula is the story of a family that punishes and pathologizes one of its own members because they do not understand him. Continue reading “‘Bunnicula’ at Lifeline Theatre”