The New Coordinates, after a year of examining their internal practices and changing their previous name, brings to life Omer Abbas Salem’s Love in the Town of Jonestown, directed by Sophiyaa Nayar, as their first production since 2019. Salem is one of Chicago and American theatre’s rising voices if this past year is proof of anything. His play, The Secretaries, was workshopped earlier this year at Goodman Theatre’s Future Labs and will see its world premiere next spring with First Floor Theatre. His play Mosque4mosque saw a developmental production with Steppenwolf Theatre’s SCOUT department in March of this year. To list all his playwriting accomplishments in the last two years would run longer than the Bible! I mention this because The New Coordinates was smart to commission Salem right when his star is about to reach even higher- especially after listeners listen to this well-paced and devastatingly developed fictional recount of the events of Jonestown.
Walking into EthiopianAmerica, the audience is greeted by the almost ceaseless dancing of the main character Johnny (Simon Gebremedhin). It’s a durational pre-performance which gives the audience a hint of what’s to come. Sam Kebede’s world premiere play directed by Sophiyaa Nayar shows us a slice in the life of an Ethiopian-American family living in southern California, Two brothers, Johnny and Danny (Freedom Martin), are apparent opposites Johnny is a nerd at school and a frenetic ball of energy at home who impulsively watches the same movies again and again. Danny, the younger brother, is a jock at school, but at home he’s distant and lethargic, biting his tongue often and choosing to sketch in his journal instead. As we watch the family move through a day in sped up time, we begin to realize that the children’s behaviors are indicative of a larger imbalance in the family’s power dynamics. Continue reading “‘EthiopianAmerica’ Offers A New Perspective on the American Drama”