All the Tucker women are under the same roof again and Mama is making her legendary recipe. Known simply as “The Stew,” this traditional dish is prepared for only the most special occasions. Director Malkia Stampley turns up the heat on this gripping kitchen-sink drama and brings simmering tensions to a rolling boil. Stew by Zora Howard is a 2021 Pulitzer Prize Finalist for Drama that depicts the seemingly unbreakable patterns that connect three generations of women.
After 15 years behind bars, Lorraine (Linda Reiter) is a free woman, and she immediately sets out to reunite with her former cellmate Marie (Aila Ayilam Peck). It’s just like old times, which comes as both a relief and a concern for the two formerly incarcerated women struggling to rejoin society after imprisonment. This Wide Night by Chloë Moss is the story of a female friendship that was forged by unavoidable intimacy. Locked safely within the dingy walls of Marie’s studio apartment, Interrobang’s Managing Artistic Director Georgette Verdin joins Shattered Globe Theatre and taps into the lifesaving bonds that make it possible to survive life’s hardships.
Aila Ayilam Peck and Linda Reiter carry the weight of this two-woman play with remarkable skill and instinctive teamwork. Peck’s heartbreaking performance as an abandoned woman with a history of substance abuse has the power to pull the audience’s attention – until Reiter comes barreling onstage to break the tension with a hilariously jolting exclamation. Over the course of the play, the distance that has grown between the two after Marie’s release steadily closes. What at first seems like an almost comical inconvenience transforms into a codependent and deeply intimate relationship. Peck and Reiter establish a tragically beautiful connection that transcends their generational divide. Whenever one of them is missing from the stage, the world feels a little wrong.
As Sheepdog opens, Amina, a black police officer, tells the story of her life-changing relationship with Ryan, a white officer on the Cleveland police force. Doubt wedges itself between the two when an officer in their department shoots and kills a young black man. The script, from playwright Kevin Artigue, is raw and romantic. Wardell Julius Clark directs this heartbreaking love story with an empathy that informs the entire performance. This tender, stylized production is directed with a care that is dangerously vulnerable. Shattered Globe Theatre’s production of Sheepdog places tragedy under the microscope to discover a kaleidoscopic blend of the beautiful and the ugly.
Debate plays are danger zones where the ploy to frame the “very fine people on both sides” can quickly fall flat and leave the audience with nothing else but the same arguments they are already bombarded with daily. Shattered Globe Theatre’s production of Hannah and Martin successfully presents a debate focused script without turning into trench warfare. The remarkable text by playwright Kate Fodor stands on its own two pillars of cerebral philosophizing and visceral desire. In his 24th collaboration with Shattered Globe Theatre, director Louis Contey leans on these two pillars to guide a willing audience into the gray area of a life or death debate. Continue reading “Shattered Globe Theatre’s ‘Hannah and Martin’ is a Winner-Take-All Battle of Wits”