What if King George had commissioned Shakespeare to write a play about the Gunpowder Plot?
It’s a fascinating question, and Equivocation at Idle Muse has the answer. After all, the famed Catholic plot to assassinate King James I happened in 1605, right around the time when William’s plays were at the height of popularity — as a mashup, it’s an entertaining and slightly scandalous idea that immediately grabs your attention. Playwright Bill Cain does a marvelous job of grounding the dialogue in the speech and politics of the era, such that the slowly unfolding conspiracy is both heightened and believable. The structure here is complex, interfolding, and lovely. Director Evan Jackson keeps things moving nicely; characters speak quickly and cleverly, taking us through emotional beats with efficiency and flair. There are lots of long scenes that could easily have dragged, but each one has a distinctive shape and feels like a journey through a big, empty house with lots of fascinating rooms. Continue reading “‘Equivocation’ at Idle Muse Theatre Company, and the Purpose of Art in Times of Tyranny”
Chicago Shakespeare Theater’s production of Hamlet introduces the Prince of Denmark (Maurice Jones) as a man standing at the foot of his father’s grave. The rain pours down and this macabre image resembles a superhero origin story. Only Hamlet is no hero. This revenge story has casualties. Barbara Gaines directs a massively skilled cast of players with nuance, intimacy, and the occasional dramatic flare. Continue reading “Minimal, Striking ‘Hamlet’ Gives Method to the Madness at Chicago Shakespeare Theater”
Monty Cole’s Hamlet is a technicolor reinvigoration of Shakespeare’s tragedy and a powerful call to action. Continue reading “A Vibrant, Technicolor ‘Hamlet’ Helmed by Monty Cole”
The following is a response and public statement from Artistic Director of Northlight Theatre, BJ Jones. There have been concerns shared from the artistic community on the composition of the cast, see local casting director Lavina Jadhwani’s editorial here. Rescripted encourages artists to respond to discussion generated by our website, in the hopes of facilitating a more open dialogue between institutions and artists. As noted below, the conversation will continue with a panel in late January co-hosted by Jessica Thebus and Aaron Todd Douglas. Continue reading “Northlight Theatre’s Artistic Director Statement on ‘Book of Will’”