In the Appalachian town of Williamson, West Virginia, jobs are scarce and opioids are plentiful. Spay, a new play by Madison Fiedler, focuses on one Williamson family’s struggle with addiction at the height of the opioid epidemic. Sisters Harper and Noah Attridge, played by Krystel McNeil and Rae Gray respectively, are together again under the same roof after Noah’s public overdose at a youth baseball game. Over the course of one sober and sobering week, temptations come knocking at the door with the promise of relief. But at what cost? Rivendell Theatre’s world premiere production, directed by Georgette Verdin, is the promising introduction of a stellar script that deserves consideration from any theatre company currently planning their next season.
‘The Tasters’ at Rivendell Theatre Ensemble Builds a Dystopian World
Fresh out of Victory Garden’s 2019 IGNITION Festival, Meghan Brown’s The Tasters, has found an apt home in this World Premiere production at Rivendell Theatre Ensemble. Set in a dystopia where food shortages are the norm and the markers of democracy are quickly fading away, this play, directed by RTE member Devon de Mayo, focuses on the “tasters,” the people of this world tasked with tasting food for poison before it is eaten by government leaders. The production excels at displaying this dystopia on stage; however, the direction seems more attentive to the worldbuilding and design than these women’s relationships or struggles.
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‘Out of Love’ At Interrobang and the Friendships That Define Us
“Out of Love” is the story of Grace and Lorna, two young women living in the north of England, and of their lifelong, decades-spanning friendship. Scenes from their intertwining lives are presented out of chronological order, but in a perfectly correct emotional order. Details are teased slowly; exposition is planted carefully through tiny clues in the utterly realistic dialogue, which keeps the audience playing the detective, trying to figure out timelines and life details. The script from Elinor Cook is masterfully written; the decision to present scenes out of sequence is inspired. That’s what memories from such an intense, defining friendship feel like — and it keeps us on our toes, making us pay close attention to what’s going on. Continue reading “‘Out of Love’ At Interrobang and the Friendships That Define Us”