‘Sugar in our Wounds,’ an Ode to Black Love in a Time of Great Pain

Sugar in our Wounds by Donja R. Love at First Floor Theater is nestled in the upstairs of the Den Theatre, a space designed by Joy Ahn to hold its audience tightly through the events of the play. Seemingly endless branches that source from an ancient tree glow from within, arching over the space as if to say come closer, I have a story in my roots. If you listen closely, Sam Clapp’s sound design will have you thinking you hear the ancestors murmuring to you as the wind whistles through the branches. Continue reading “‘Sugar in our Wounds,’ an Ode to Black Love in a Time of Great Pain”

Rescripted Announces Third Session of The Key: Young Critics Mentorship Program

Rescripted is thrilled to announce the third session of The Key: Young Critics Mentorship Program, September 25 – December 4 and hosted for the second year at Steppenwolf Theater, 1650 N. Halsted. Regina Victor, founder of the online arts journalism platform Rescripted, and entertainment critic Oliver Sava created the 10-week training program for Chicago youth in arts criticism. In league with The Chicago Inclusion Project, The Key has successfully held two sessions, educating young writers on the skills and industry knowledge needed to pursue careers in arts criticism. Alumni of The Key have written for outlets like Chicago Reader, Howlround, The Windy City Times, and Rescripted.

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‘Small World’ Delivers a Sidesplitting End of Days at The New Colony

“No one dies at Disney,” Stephanie Shum screeches into the abyss during Small World at The New Colony, a show that may prove to be the funniest and simultaneously most disturbing theatrical event of 2019. When I say funny I do not mean elbow your friend and chuckle a few times in the first thirty minutes before things get serious. Jillian Leff and Joe Lino’s new play Small World made me and my guest guffaw for about 80 solid minutes. This is a refreshing structure, as there is still quite a lot of emotional depth provided by the text and Patriac Coakley, Stephanie Shum and Jackie Seijo, the cast of three that launches this production into the stratosphere of hold-on-to-your-stomach hilarity. Continue reading “‘Small World’ Delivers a Sidesplitting End of Days at The New Colony”

‘Red Rex’ is the Clapback Chicago Theatre Never Knew it Needed

Ike Holter’s Red Rex takes a deep dive into the underbelly of making theatre in Chicago, and a brave ensemble of people at Steep Theatre rose to the challenge. The sixth play in the Rightlynd Saga directed by Jonathan Berry gets its name from the fictional theatre company at the center of the narrative, Red Rex Theatre Company. After almost a decade of relatively mediocre production Red Rex has recently taken up residence in the abandoned former home of the Three Lord Gang – one of many easter eggs from the rest of the Rightlynd Universe (the RU, you know, like MCU).  Continue reading “‘Red Rex’ is the Clapback Chicago Theatre Never Knew it Needed”

‘Dada Woof Papa Hot,’ a Family Drama at About Face Theatre

Our present moment invites more conversations than ever about the kind of world we want to live in and whether the behaviors of our predecessors is worth emulating. Dada Woof Papa Hot, Peter Parnell’s rather absurdly named play, asks some very straightforward questions about American home life and the value of the nuclear family. The playwright uses the lens of sets of two sets of gay dads who have young children in the same school. They decide to be couple friends and try to use their bond to navigate fatherhood and their relationships together. Continue reading “‘Dada Woof Papa Hot,’ a Family Drama at About Face Theatre”

The Scope of Blackness in ‘This Bitter Earth’

This Bitter Earth by Harrison David Rivers and directed by Mikael Burke is currently running at About Face Theatre. This two person show follows an interracial gay couple through the most agonizing police violence events of our time. It is a treat to witness the gifted Sheldon Brown return to the stage again after an impressive turn in the Shipment. Especially in a role that is all about taking risks and attempting to live life to the fullest. Continue reading “The Scope of Blackness in ‘This Bitter Earth’”

How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community

Did you know the Jeff Awards were last Monday? If so, you’re already doing better than me. When I returned from working on Pipeline at Indiana Repertory Theatre, I said to a few friends I was planning on going to the Jeffs, which I thought was next Monday (today). I then had a quiet night in my home, scrolling through Facebook, reading scripts and hanging out with my cat, when my friend came over. “Hey!” She said, wine and cheese in hand – how any good friend should arrive at your door – “My boyfriend is at the Jeffs so he won’t be home for a while!” At this point, imagine me, going to the sunken place à la Daniel Kaluuya in Get Out. Continue reading “How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community”

‘Tangles and Plaques’ Demystifies Dementia

Tangles and Plaques at the Neo-Futurists, a Neo-Lab commission about the effects of dementia first seen in Fall of 2017, has returned for a three-week engagement at the Neo-Futurarium. Sourcing its name from Plaques and Tangles, deposits of protein that cause cell damage and death in the brain, Tangles and Plaques attempts to translate dementia into the language of theatre. This is inherently successful in the structure of the play. Sections of the script are repeated and intentionally disorient the audience. Neos ensemble member and creator of the piece Kirsten Riiber wrote the show based on her work in reminiscence therapy at a local retirement home. Reminiscence therapy is used to conjure the most relevant and clear memories to an aging person, those from their childhood. Therefore the meat of the show takes place in the “accumulated nostalgia-scape of seven artists on a budget.” Continue reading “‘Tangles and Plaques’ Demystifies Dementia”

Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’

Regina Victor

Welcome to Jesus at American Theater Company is best described as a cross between “The Blind Side” and “Get Out”. I went to see it the day before Halloween and enjoyed quite a few jump scares. Will Davis’ direction is astounding as usual. When his directing style is at its peak, as I feel it is in this production, actors are comfortable enough to play and create within the seemingly choreographed production. As in a dance piece, Davis’ productions work well when you can sense the ensemble and they share an awareness of each other.  Continue reading “Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’”

‘Meet Juan(ito) Doe’: Brown and Down in Chi-Town

Ricardo Gamboa’s Meet Juan(ito) Doe at Free Street Theater, co-directed by Gamboa and Ana Velazquez, is a success as one of the most innovative community engaged theatre pieces we will see this season. Gamboa received a Joyce award of $50,000 “to produce community-based programming, procure a performance space within the community, and provide equitable pay to the artists involved in the collaboration.”

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