The Scope of Blackness in ‘This Bitter Earth’

This Bitter Earth by Harrison David Rivers and directed by Mihkail Burke is currently running at About Face Theatre. This two person show follows an interracial gay couple through the most agonizing police violence events of our time. It is a treat to witness the gifted Sheldon Brown return to the stage again after an impressive turn in the Shipment. Especially in a role that is all about taking risks and attempting to live life to the fullest. Continue reading “The Scope of Blackness in ‘This Bitter Earth’”

How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community

Did you know the Jeff Awards were last Monday? If so, you’re already doing better than me. When I returned from working on Pipeline at Indiana Repertory Theatre, I said to a few friends I was planning on going to the Jeffs, which I thought was next Monday (today). I then had a quiet night in my home, scrolling through Facebook, reading scripts and hanging out with my cat, when my friend came over. “Hey!” She said, wine and cheese in hand – how any good friend should arrive at your door – “My boyfriend is at the Jeffs so he won’t be home for a while!” At this point, imagine me, going to the sunken place à la Daniel Kaluuya in Get Out. Continue reading “How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community”

‘Tangles and Plaques’ Demystifies Dementia

Tangles and Plaques at the Neo-Futurists, a Neo-Lab commission about the effects of dementia first seen in Fall of 2017, has returned for a three-week engagement at the Neo-Futurarium. Sourcing its name from Plaques and Tangles, deposits of protein that cause cell damage and death in the brain, Tangles and Plaques attempts to translate dementia into the language of theatre. This is inherently successful in the structure of the play. Sections of the script are repeated and intentionally disorient the audience. Neos ensemble member and creator of the piece Kirsten Riiber wrote the show based on her work in reminiscence therapy at a local retirement home. Reminiscence therapy is used to conjure the most relevant and clear memories to an aging person, those from their childhood. Therefore the meat of the show takes place in the “accumulated nostalgia-scape of seven artists on a budget.” Continue reading “‘Tangles and Plaques’ Demystifies Dementia”

Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’

Regina Victor

Welcome to Jesus at American Theater Company is best described as a cross between “The Blind Side” and “Get Out”. I went to see it the day before Halloween and enjoyed quite a few jump scares. Will Davis’ direction is astounding as usual. When his directing style is at its peak, as I feel it is in this production, actors are comfortable enough to play and create within the seemingly choreographed production. As in a dance piece, Davis’ productions work well when you can sense the ensemble and they share an awareness of each other.  Continue reading “Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’”

‘Meet Juan(ito) Doe’: Brown and Down in Chi-Town

Ricardo Gamboa’s Meet Juan(ito) Doe at Free Street Theater, co-directed by Gamboa and Ana Velazquez, is a success as one of the most innovative community engaged theatre pieces we will see this season. Gamboa received a Joyce award of $50,000 “to produce community-based programming, procure a performance space within the community, and provide equitable pay to the artists involved in the collaboration.”

Continue reading “‘Meet Juan(ito) Doe’: Brown and Down in Chi-Town”

Walkabout Theater’s ‘A Persephone Pageant’ Reimagines the Demeter Myth as a Parable About Climate Change

Hallie Palladino

(Featured image: Obsessive Eye Photography)

Walkabout Theater just finished a tour of their their newest devised piece, A Persephone Pageant. My children and I caught the recent Chicago performance on the grassy lawn behind The University of Chicago’s Reva and David Logan Center for the Arts. The family friendly pageant, co-directed by Jessica Thebus and Thom Pasculli, incorporates original text by Sarah Ruhl and Morgan McNaught and features choreography by Kristina Isabelle, music by Mark Messing and puppets by K.T. Sivak and Jackie Valdez. The play updates the Demeter myth imagining Persephone as Water and Hades as Greed, remaking the story into a contemporary parable about climate change. Continue reading “Walkabout Theater’s ‘A Persephone Pageant’ Reimagines the Demeter Myth as a Parable About Climate Change”