Institutions do not define our art.
Like many of us, I am an artist who has defined my artistic career by the institutions that granted me entry. This quarantine is causing them to suffer, which is causing my colleagues and mentors and teachers to suffer. In this moment of tremendous uncertainty, where the future of these institutions is unstable, it feels like our future is too. Continue reading “Institutions Do Not Define Our Artistic Practice”
Who gets to write the story when our present becomes the past? Does that privilege fall to the global leaders, historians, celebrities, or the revolutionaries? We Are Pussy Riot (or) Everything is P.R. by Barbara Hammond documents this struggle for historical authorship by looking at a recent moment in time. Not too long ago, Pussy Riot went to trial for their public protest of the 2012 Russian election. Everyone seemed to have something to say, and the truth of the matter is still up for debate. Director Kate Hendrickson uses Red Tape Theatre’s intimate space as a communal square where the public record is laid bare in ferocious fashion. We Are Pussy Riot (or) Everything is P.R. is just as raucous, satirical, and tragic as the group itself. Continue reading “Red Tape Theatre Delivers a Raucous History with ‘We Are Pussy Riot (or) Everything is P.R.’”