Rescripted’s Revolution Glossary is our new series where we dive deeper into words which are part of the conversations about justice happening around all of us. The goal of this series is to provide a resource for people who want to expand their vocabulary around social justice topics, or people who want extra context and perspective on their word choices. Our hope is that this series can spark some important discussions, and help people jump into those discussions with enthusiasm.
Accountability is one of those words that pops up everywhere, but which means something slightly different everywhere it’s used. Phrases like government accountability, personal accountability, and community accountability bring to mind completely different concepts, but they’re all drawing on the same idea. They all relate to a person or entity’s responsibility for themselves and others, but also imply a mechanism which assesses and enforces said responsibility.
When organizers in movements for justice talk about accountability, they’re often talking about community accountability. To talk about that we have to take a little detour through the idea of transformative justice. Transformative justice is about challenging dominant ideas about finding justice when someone causes harm. Transformative Justice will eventually have a Revolution Glossary entry of its own, but for now know that transformative justice grew out of feminist movements against racism and violence anti-racist and anti-violence movements. Trom the 60s to the 90s, there was a slow accumulation of new theories about what caused and prevented violence, the relationship between violence and racism, and the role of the state in sanctioning violence. Continue reading “REVOLUTION GLOSSARY: What Is Accountability?”
Long, long ago, in the before-times of March 2020, I went to see a show at Lookingglass Theatre called Her Honor Jane Byrne. I wrote a review of it, but then the entire world shut down, the production’s run was cancelled, and the review never saw the light of day. In light of the Black Lives Matter protests and displays of police brutality that have been in the public eye this past month, the subject matter of Her Honor Jane Byrne has never been more relevant, timely, and worthy of analysis. We reached out to Lookingglass, and they gave us the go-ahead to publish this review of their cancelled show.
Continue reading “REVIEW: Her Honor Jane Byrne at Lookingglass Theatre, and the Paradox of Civil Violence”
Invisible by Mary Bonnett, produced by Her Story Theater, seeks to complicate our contemporary understandings of the KKK, and their lasting impact on the relationship between racism and political power in the US. Directed by Cecille Keenan, the play focuses on a white couple, Mabel (Morgan Laurel Cohen) and Tom (Brad Harbaugh), who are well established in their small town of Mounds.
As a well respected man in town, Tom is naturally part of Mounds’ Ku Klux Klan chapter. Mabel, meanwhile has taken the role of an officer in Mounds’ newly formed branch of the Women’s KKK. Mabel, however, is something of a misfit and struggles to get along with the other two WKKK officers, despite her commitment to the KKK’s values of Christianity and domesticity. Across town, Jubal (Lisa McConnell), a Black artist and activist, lives with Ghost Girl (Maddy Fleming), an albino girl she found abandoned as a baby. When Mr. Stein (Richard Covotsky), a Jewish reporter from Chicago, travels through Mounds, tension builds and leads to death and destruction.
Continue reading “‘Invisible’ at Her Story Theater Examines the Personal and Political Impacts of Racism”
The theater community in Chicago has had many reckonings in terms of representation in criticism, casting, play selection, administrative staff, and boards, yet we don’t often discuss Marketing and PR. This week Drury Lane Theater put out advertising on social media and their website for their upcoming show And Then There Were None which was received with a firestorm of criticism. The primary marketing graphic featured a noose. Continue reading “Drury Lane Theatre Hangs Itself With Its Own Race Blindness”
Drury Lane does not have a casting problem.
Drury Lane has an institutional racism problem. As does Marriott. As does Paramount. As does just about every non-PoC centered theatrical institution in this city. To place the problem at the feet of casting is to blame the symptom rather than the cause. Continue reading “Drury Lane Does Not Have A Casting Problem”