Porchlight Music Theatre kicks off its 27th season with what it calls a “a country fried phenomenon,” and I can assure you it is precisely that. Set in a North Carolina diner/filling station somewhere off the highway, Pump Boys and Dinettes provides a scintillating peek into the lives and relationships of the guys and gals of the Double Cupp Diner.
Featuring a creative team that consists of core members of Chicago’s Black Ensemble Theatre, this production is a love letter to hometown hospitality and nostalgia. Daryl D. Brooks’ direction is straightforward and concert driven, and works in smooth cohesion with the distinctive and stellar music direction by Robert Reddrick. The choreography by Rueben D Echoles gives the musical numbers an easygoing feel, and never distracts from the vocal prowess of the ensemble. The production stays devotedly true to its backroad roots, shying away from the modern audience’s expectations at every turn. While the book does very little to build the world of the play or illuminate its characters, the score distracts from the musical’s more shallow notes and eventually builds to a very heartfelt goodbye.
Continue reading “‘Pump Boys and Dinettes’ at Porchlight Music Theatre radiantly outshines its script”
Sunset Boulevard, the famous film turned musical sensation, places the Golden Age of cinema on the stage. This Andrew Lloyd Webber musical, with lyrics and book by Don Black and Christopher Hampton, adapts the film by Billy Wilder into a stirring operetta. This production in particular left me humming the dramatic themes on my way back to the train. Directed by Artistic Director Michael Weber, Porchlight Music Theatre’s Sunset Boulevard features stunning design, an incredibly skilled cast, and a muddled narrative that loses the most memorable line from the film during the final moments of the musical.
Continue reading “Porchlight Music Theatre’s Sunset Boulevard Remembers Golden Age Glamor but Forgets the Horror “
In 1975, A Chorus Line introduced a show-biz musical with a new perspective to the Broadway theatre canon. Since then it has been a staple in theatre songbooks across the country. Inspired by true stories, A Chorus Line is the day in the life of a Broadway audition where 16 dancers leave it all on the stage for one of eight coveted positions. Public schools, community theaters, and the largest performance halls have all had boxes of golden tuxedos sent through their doors for that one final show-stopping number. Director Brenda Didier is no stranger to the phenomenon. In Porchlight Theatre’s program for their production of A Chorus Line, Didier wrote that “once A Chorus Line has become a part of your life, it stays with you.” I have to agree. Wholeheartedly. Every production of A Chorus Line is both building off and working against that relationship the audience already has with this musical. Porchlight Theatre’s production gets lost somewhere in the middle and is a shadow of that one singular sensation. Continue reading “Porchlight Music Theatre’s ‘A Chorus Line’ Has Some Big Dance Shoes to Fill”