Dear White Critics: Stop Being Transphobic!

You may remember my last article in what must now become a series, Dear White Critics: Stop Using the N-Word, when Justin Hayford decided racial slurs were appropriate for a theatre column. Yesterday, Ben Brantley of the New York Times decided it was appropriate to make a joke out of the unveiling of a trans character’s pronouns in the new Broadway musical Head Over Heels’. The character? Oracle and non-binary plural narrator Pythio, portrayed by drag performer Peppermint, who is a trans woman. What’s notable is that it’s the first time a trans actor has ever created a principle role in a Broadway show, and that Pythio is one of a handful of genderqueer characters ever seen on Broadway. Therefore, as a critic, one might think Brantley would use this opportunity to celebrate that fact. Alas, instead he decided to say this: Continue reading “Dear White Critics: Stop Being Transphobic!”

Flossyfluff: ‘Spirit Force Five’ at Factory Theater

The Factory Theater knows that sometimes we need to escape from the heaviness of the world, and producing a play like The Adventures of Spirit Force Five seemed like the pep rally we needed. The program contains a director’s note by Spenser Davis highlighting the inspiration for this show: the spirit of the 90’s. Saturday morning cartoons, bright music, and brighter colors of millenial youth where everything looked spun from sugar and anything was possible. As a 90’s kid fatigued by the brutal Nationalist landscape where families are torn apart, children are in cages, and there seems like no way out, I was thirsty for it. These shows and movies raised us to be our own heroes and well, we just need a reminder of how to do that every once in awhile to keep up the fight. Continue reading “Flossyfluff: ‘Spirit Force Five’ at Factory Theater”