WHAT WE DO is a visual interview series where we briefly talk to Chicago theatre artists about their art — what they do, why they do it, and what their creative process is like, even as it shifts in the midst of a pandemic. We’ve given each artist 8 written questions, as well as 3 prompts for photographs that capture their current headspace.
Today we’re hearing from Lavina Jadhwani, Chicago-based director, adaptor, and activist. She’s directed for Writers Theatre, Silk Road Rising, Remy Bumppo, the side project, and many others.
SELF-CAPTURE: A selfie, self timer portrait, a baby photo, or just a really awesome picture of yourself that you love.
Continue reading “WHAT WE DO Interview Series: Lavina Jadhwani”
I have long held that the most powerful art is that which is deeply personal. Vietgone by Qui Nguyen, in its current production at Writer’s Theatre, is one such piece. The latest in a long line of lovely work from local director Lavina Jadwani, Vietgone is a romp of a love story, but its real power lies not solely in the budding relationship between the two leads–but in the writer’s journey of understanding his own parents.
Continue reading “Finding Refuge in Love in ‘Vietgone’”
By Lavina Jadhwani
“Casting should be diverse. Shakespeare is meant for everyone.”
This simple statement, written atop the casting breakdown of Lauren Gunderson’s new play, THE BOOK OF WILL at Northlight Theatre, filled me with so much hope.
I am a woman of color who regularly directs Shakespeare and regularly encounters pushback when trying to convince producers and audiences that the words people often assume were written primarily for white, cis, able-bodied men can be shared by, well, everyone. That’s why I was so moved by Gunderson’s sentiment and so excited by the casting announcements made by the Denver Center and Oregon Shakespeare Festival regarding this play. (The world premiere in Denver included two South Asian actors — my desi heart soared!!) My heart sank, however, when I saw the casting announcement of a local company, Northlight Theatre, which included an all white cast and production team. Nevertheless, I attended the production in hopes of learning something new about this play and the world of William Shakespeare. I wanted to keep an open mind. And honestly — I wanted to support my friends. Continue reading “‘Book of Will’ Fails to Diversify The Bard”