Walking into EthiopianAmerica, the audience is greeted by the almost ceaseless dancing of the main character Johnny (Simon Gebremedhin). It’s a durational pre-performance which gives the audience a hint of what’s to come. Sam Kebede’s world premiere play directed by Sophiyaa Nayar shows us a slice in the life of an Ethiopian-American family living in southern California, Two brothers, Johnny and Danny (Freedom Martin), are apparent opposites Johnny is a nerd at school and a frenetic ball of energy at home who impulsively watches the same movies again and again. Danny, the younger brother, is a jock at school, but at home he’s distant and lethargic, biting his tongue often and choosing to sketch in his journal instead. As we watch the family move through a day in sped up time, we begin to realize that the children’s behaviors are indicative of a larger imbalance in the family’s power dynamics. Continue reading “‘EthiopianAmerica’ Offers A New Perspective on the American Drama”
I have long held that the most powerful art is that which is deeply personal. Vietgone by Qui Nguyen, in its current production at Writer’s Theatre, is one such piece. The latest in a long line of lovely work from local director Lavina Jadwani, Vietgone is a romp of a love story, but its real power lies not solely in the budding relationship between the two leads–but in the writer’s journey of understanding his own parents.