Brett Neveu’s world premiere TO CATCH A FISH, developed at Timeline and directed by Ron OJ Parson, takes on the morally repugnant practice of police entrapment. Neveu takes us to the peaceful Milwaukee neighborhood of Riverwest where in 2012 officers from the Alcohol, Tobacco, and Firearms Bureau set-up a phony shop with an aim to lure the community into selling guns by offering to purchase them at triple their street value. This perverse incentive created a gun market where there wasn’t one. People started buying guns at local stores to turn around and sell them to the ATF, even going so far as to dredge up antiques and family heirlooms to cash in on the offer. Later, community members entrapped by this scheme were rounded up to face criminal charges. Continue reading “Brett Neveu’s ‘To Catch a Fish’ Dramatizes a Real Life Tale of Entrapment”
The Key: Young Critics Mentorship Program brings students to various productions around Chicago, teaching them about arts criticism as they try their hand at writing reviews. The opinions of the students are their own; we workshop the pieces in seminar every other week, and then they edit their reviews before publication. This week we are sharing their second round of reviews on The Heavens Are Hung in Black at Shattered Globe Theatre, which closed Oct. 21st, and Two Mile Hollow at First Floor Theater which closed Nov 4th. Workshopped and Edited by co-facilitators Regina Victor and Oliver Sava.
Author’s note: I attended two different “versions” of Taylor Mac’s A 24-Decade History of Popular Music at The Curran on Sunday September 24 and at Stanford’s Bing Concert Hall on Wednesday September 27. This review compares the two audience experiences of “Chapter IV” and “Abridged Version” respectively.
What makes a piece of theatre a phenomenon? What turns it from instance to event? Driven by conscious and subconscious hope that their art goes the analog equivalent of viral, artists create art everyday from fine to pop, traditional to technological. Artistic organizations do this, as do artist teams. Most of it never becomes an event. Theatre that does may do so incidentally, and in cases like the Broadway productions of ANGELS IN AMERICA, RENT and HAMILTON, deliberately. Continue reading “Rhapsody in Blue Eyeliner: Taylor Mac’s ‘A 24-Decade History of Popular Music’”