The Art of Bowing by Nathan Alan Davis presented by Haven Chicago is an experimental must-see and galvanizing production for anyone uncertain about their role in the performing arts, whether patron or performer. Directed by Haven’s Artistic Director Ian Damont Martin, The Art of Bowing honors and eviscerates the theatre in equal measure, and left me thinking about my role as an artist, critic, and patron in theatre’s survival. Continue reading “Haven Chicago Presents ‘The Art of Bowing’ A Muscular and Engaging Ode to Artists”
Ownership vs. Authorship: The Responsibility of the Storyteller in ‘Kiss’
Damascus 2014.
What images come to mind? This city and year may feel distant to an American audience, especially one quietly observing the opening moments of Haven’s production of Kiss at The Den. Whatever your mind conjured about Damascus, you’ll soon forget this context or question it. Written by Guillermo Calderón, the play follows two couples attempting to hang out with their weekend soaps. But their lives quickly descend into a soap opera of their own. And we watch, amused by the apparent drama and familiar music underscoring moments of cliché passion and momentary rejection (sound design and original music Jeffrey Levin). Continue reading “Ownership vs. Authorship: The Responsibility of the Storyteller in ‘Kiss’”