‘Kentucky’ at the Gift Theatre Takes You on a Hilarious and Devastating Journey Back Home Again

(left to right) Ana Silva, Emjoy Gavino and Maryam Abdi. Photo by Claire Demos.

Kentucky begins with Hiro (Emjoy Gavino), a young New York professional, as she plans her first trip home to her small Kentucky town in years. Hiro’s abusive father (Paul D’Addario) has kept her away, but she is making an exception to travel home for her sister’s wedding. Or rather, as she reveals to her therapist (Ana Silva) in the opening scene, to sabotage her sister’s wedding; she believes that 22-year-old Sophie (Hannah Toriumi) is far too young to make such a decision. Throughout her journey, Hiro is serenaded by a Greek chorus of sorts, played by Ana Silva and Maryam Abdi, who alternate between singing about the events and playing background characters.

The tone here hews heightened and comedic despite the serious issues explored in the script; director Chika Ike has managed to weave together the two extremes quite well. Kentucky at The Gift Theatre is a delightful comic romp wrapped around a heart-rending family drama, that asks pressing questions about the long game of self-identity, and breaking cycles of abuse.

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Fire and Brimstone Outweigh ‘Doubt’ in Gift Theatre Production

From the first echoes of the imposing Michael Patrick Thornton’s voice bringing the devastatingly charming Father Flynn’s voice into the space (a charismatic Michael Patrick Thornton), we are submerged in a flickering Catholic Church. The first moments of Doubt by John Patrick Shanley produced by the Gift in Steppenwolf’s 1700 space caused the audience to be simultaneously reaffirmed and frightened by Flynn’s sermons. His tone suggests that if we just listen close enough we will avoid the temptations of which he speaks. The spectators are few, two nuns and a dignified Black woman, she is notably separated from the rest, seated between the nuns and the Father. This is an intentional choice by director John Gawlik, manifested by Mike Durst’s deft lighting, that would later prove relevant. Continue reading “Fire and Brimstone Outweigh ‘Doubt’ in Gift Theatre Production”