Key Reviews: ‘In the Next Room, or The Vibrator Play’

The Key: Young Critics Mentorship Program brings students to various productions around Chicago, teaching them about arts criticism as they try their hand at writing reviews. The opinions of the students are their own; we workshop the pieces in seminar every other week, and then they edit their reviews before publication. These reviews from our Fall session are edited by Oliver Sava and Regina Victor

Danielle Chmielewski

The fact that somehow the existence of female sexuality is still up for debate is almost impressive in how narrow-minded it is. Not enough has been sad about the epidemic of “hysteria” in the 1800’s. The fact that a legitimate medical diagnosis was given to women who were experiencing the wide spectrum of basic human emotion and no longer living up to men’s expectations is nearly laughable. And yet, as off the wall as it sounds, it should only come as a shock to someone who hasn’t picked up a newspaper in the past month. Continue reading “Key Reviews: ‘In the Next Room, or The Vibrator Play’”

Fists Up: An Interview with Fight Choreographer & Actor Almanya Narula

This week Editor-In-Chief Regina Victor sat down with notable fight choreographer, dancer, and actor Almanya Narula to discuss the art of stage combat, her history as a performance artist in Bollywood and the United States, and what the field needs now. Victor and Narula first met on the set of Ricardo Gamboa’s Brujos. Victor was impressed by Narula’s ability to design impressive combat that was easily taught in a short time frame, as well as the vast career Narula has cultivated in a male-dominated industry.  Continue reading “Fists Up: An Interview with Fight Choreographer & Actor Almanya Narula”

Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’

Regina Victor

Welcome to Jesus at American Theater Company is best described as a cross between “The Blind Side” and “Get Out”. I went to see it the day before Halloween and enjoyed quite a few jump scares. Will Davis’ direction is astounding as usual. When his directing style is at its peak, as I feel it is in this production, actors are comfortable enough to play and create within the seemingly choreographed production. As in a dance piece, Davis’ productions work well when you can sense the ensemble and they share an awareness of each other.  Continue reading “Football and White Supremacy Take a Spooky Turn in ‘Welcome to Jesus’”