Fear and Loathing in “Language Rooms” at Broken Nose Theatre

* Read Lucas’ reflection on this review in ‘A Critical Response to Language Rooms’

“Don’t be a stranger.” Like much of Yussef El Guindi’s darkly comedic Language Rooms, presented by Broken Nose Theatre, this common phrase is suddenly unsettling. Within the blank foreboding walls of a CIA blacksite, the familiar is made unfamiliar, and the mundane, dangerous. Director Kaiser Zaki Ahmed and his team mine El Guindi’s interrogation of islamophobia in a post 9/11 United States. The result is a potent examination of the current dark night of the soul in which the U.S. and its people presently find themselves. Continue reading “Fear and Loathing in “Language Rooms” at Broken Nose Theatre”

A Captivating Everyman and His Harms: ‘I Call My Brothers’ at Interrobang

How would you feel if you lived every day of your life as someone who fits the media description of a terrorist? What would this do to your mental health? In playwright Jonas Hassen Khemiri’s Chicago premiere of I Call My Brothers at Interrobang Theatre Project, we witness a 24 hour reality that is all too familiar to people of color. Under the direction of Abhi Shrestha, this play aims to amplify the experience of brown folks demonized and policed based on their appearance. Continue reading “A Captivating Everyman and His Harms: ‘I Call My Brothers’ at Interrobang”