‘EthiopianAmerica’ Offers A New Perspective on the American Drama

Walking into EthiopianAmerica, the audience is greeted by the almost ceaseless dancing of the main character Johnny (Simon Gebremedhin). It’s a durational pre-performance which gives the audience a hint of what’s to come. Sam Kebede’s world premiere play directed by Sophiyaa Nayar shows us a slice in the life of an Ethiopian-American family living in southern California, Two brothers, Johnny and Danny (Freedom Martin), are apparent opposites Johnny is a nerd at school and a frenetic ball of energy at home who impulsively watches the same movies again and again. Danny, the younger brother, is a jock at school, but at home he’s distant and lethargic, biting his tongue often and choosing to sketch in his journal instead. As we watch the family move through a day in sped up time, we begin to realize that the children’s behaviors are indicative of a larger imbalance in the family’s power dynamics. Continue reading “‘EthiopianAmerica’ Offers A New Perspective on the American Drama”

A Gentleman’s Guide to Love and Murder is Rib-Cracking Fun

A Gentleman’s Guide to Love and Murder, by Robert L. Freedman and Steven Lutvak, takes place in London at the turn of the 20th century, and concerns the adventures of middle-class stockbroker Monty Navarro (Andrés Enriquez) — who, upon learning that his recently deceased mother was disinherited from the obscenely wealthy D’Ysquith family (all played by Matt Crowle), sets out to murder his relatives as revenge. And also so that he can, not uncoincidentally, become next in line to be the Earl of Highhurst. Continue reading “A Gentleman’s Guide to Love and Murder is Rib-Cracking Fun”

‘The Dark At The Top of The Stairs’ Challenges Life, Love and Companionship

The Dark at The Top of The Stairs by William Inge  holds a universal theme– life is hard, love is hard, but if you have the right people it’s all worth it. Directed by Jerell Henderson, it focuses on a family of four; a begrudged father, an abiding yet willful mother, the bratty younger brother and his closed off sister.  We live in their home, more specifically their living room, for the entirety of this three-act production, it is littered with decor bringing an added authenticity to every moment (set design Sam Rausch). Continue reading “‘The Dark At The Top of The Stairs’ Challenges Life, Love and Companionship”