A Smart and Touching Journey in Jessica Dickey’s The Rembrandt

Hallie Palladino

In a gallery at The Metropolitan Museum of Art Henry (Francis Guinan) guards Rembrandt’s Aristotle Contemplating a Bust of Homer. If it really depicts Aristotle at all. Henry is partial to the argument Rembrandt may have substituted the Greek painter Apelles in the philosopher’s place as an affront to the wealthy Italian who commissioned it. Were artists the true philosophers in Rembrandt’s opinion? For Henry, a scholarly man who has spent his life studying paintings and loving a poet, this seems about right. So begins Jessica Dickey’s funny and touching play, The Rembrandt, now enjoying its Chicago premiere at Steppenwolf Theatre in an elegantly designed production directed by Hallie Gordon.

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Rescripted Announces ‘The Key: Youth Critics Mentorship Program’

CHICAGO (September 8, 2017) – Greenhouse Theater Center’s Artistic Director Jacob Harvey is pleased to announce The Key: Young Critics Mentorship Program, a training program for Chicago youth in arts criticism created by national online arts platform Rescripted, The Chicago Inclusion Project and entertainment critic Oliver Sava and hosted by the Greenhouse. Launching this fall, the ten-week initiative for youth ages 16 – 20 will include arts criticism workshops and lectures with the program’s creators, as well as guest speakers from all facets of the Chicago theater community. Students will attend Chicago theater productions throughout the fall season, write original critiques, undergo one-on-one editing sessions and create personal blogs to host their writing portfolio and multimedia reviews. Select critiques will also be published on Rescripted.

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Love and Talent Burn Fiercely in ‘Bright Half Life’

(Photo Copyright: Michael Brosilow)

By Regina Victor

Bright Half Life at About Face Theatre directed by Kiera Fromm is an elegant exploration of queer love and the quirks of relationships. A two-person play penned by Tanya Barfield, Bright Half Life centers around the intertwined lives of two women, Erica (Elizabeth Ledo) and Vicky (Patrese D. McClain). The play jumps back and forth through time to tell us the story of Vicky and Erica’s decades long love affair, from their first encounter at the job where Vicky is the only black female supervisor, to the marriages of their children. Fromm’s direction and Barfield’s sequence of events made it clear from the beginning that this love would be complicated and messy, that it would end and perhaps begin again. But whether or not they see a happy ending almost doesn’t matter. Bright Half Life  believes that it’s not about the result, it’s about the journey. Continue reading “Love and Talent Burn Fiercely in ‘Bright Half Life’”