There are two types of education for the undergraduate theatre professional of color in America.
Option 1: An invigorating education where teachers can help you place your lived experiences in an academic canon and define your place in the world. This empowering approach allows you to fully step into yourself as an artist.
Option 2: An oppressive education that requires you to become an EDI expert before the age of 22, sharpen your ability to articulate yourself, and learn to facilitate your own safety and growth. This creates a very fierce, visionary, albeit traumatized artist.
A student at Columbia College recently got a steaming portion of number two when her white professor Paul Amandes decided to use the phrase “magical negro” to explain a character death in his student’s work. Look left, look right. You guessed it, not a Black person in sight. The only person who could even challenge the professor was the student of color whose work he was also critiquing: Estefania Unzueta. When she brought up that the language was inappropriate in class on May 4th, Unzeuta describes his response:. Continue reading “Columbia College Student Questions A Professor’s Potentially Offensive Language, Columbia Professors Villify Student in the Press”
Trigger warning: sexual harassment and assault, racism, body shaming.
“Can we not force students to be around reported abusers? Students and otherwise.” – Anonymous Roosevelt University Student, June 17, 2019.
Just yesterday the news broke that Senn High School teacher and former co-Artistic Director of The Yard, Joel Ewing was charged with a count of sexual assault involving a minor.
Earlier this year The Chicago College of Performing Arts at Roosevelt University’s Associate Dean and Director of the Theatre Conservatory Sean Kelley was accused of repeatedly humiliating and sexually harassing his students. This was never reported, but as you can see from the cover photo of this article, students and faculty were quietly notified via e-mail that he was no longer employed at the university after months of outcry on social media.
These events, and the culture of every theatre program in America, are closely intertwined, and it’s time we acknowledge that. Continue reading “Abuse Is Not Art: The Yard, CCPA, and Academic Atrocities”
Rescripted is thrilled to announce the third session of The Key: Young Critics Mentorship Program, September 25 – December 4 and hosted for the second year at Steppenwolf Theater, 1650 N. Halsted. Regina Victor, founder of the online arts journalism platform Rescripted, and entertainment critic Oliver Sava created the 10-week training program for Chicago youth in arts criticism. In league with The Chicago Inclusion Project, The Key has successfully held two sessions, educating young writers on the skills and industry knowledge needed to pursue careers in arts criticism. Alumni of The Key have written for outlets like Chicago Reader, Howlround, The Windy City Times, and Rescripted.
Continue reading “Rescripted Announces Third Session of The Key: Young Critics Mentorship Program”