Mercury Theater became the latest Chicago-area theater to announce devastating news last week, as they announced they would be closing permanently. Unlike Steep Theatre, this closure was directly caused by the economic impacts of the pandemic; in an interview with the Sun-Times, executive director L. Walter Stearns cited extreme loss of revenue as the reason for closure.
In a statement on their website, Mercury Theater said: “We sought to bring a little joy to the world and have made many friends along the way. Thank you to the artists who have been a part of our legacy. And thank you to the audiences who have supported our neighborhood theater.”
Continue reading “Mercury Theater Shuts its Doors”
Steep Theatre announced yesterday that they will be forced to move out of their current space at 1115 W Berwyn Avenue this fall.
According to Executive Director Kate Piatt-Eckert, “Steep intends to stay in the Edgewater neighborhood and continue to deepen its relationships with long-supportive neighbors as it moves forward with a focus on inclusivity, accessibility, and flexibility. Steep Theatre is not a building – it is a league of fearless artists, bold leaders, and passionate supporters equipped with nineteen years of experience producing storefront theatre and almost two years presenting music and performance at The Boxcar.”
Continue reading “Steep Theatre Loses Edgewater Space”
It is no secret that Steppenwolf Theater Company is one of my artistic homes in Chicago. When the news came out about Brooke Flanagan’s appointment for Executive Director, and David Schmitz’s departure to OSF, I was excited and disappointed all at once. David deserves an excellent opportunity such as this, and Brooke seemed highly qualified for the job, but there had been no job search for the Executive Leadership position.
Once during my fellowship at Steppenwolf, Anna told me she saw my value to the institution, and to our field, in my ability ask the hard questions. With that in mind, I made a phone call, at first asking for a conversation, which became an interview.
Rarely do our leaders seize an opportunity to tell the truth. When controversial decisions are made, I often ask arts leaders if they will sit down and speak to me about their decision-making process. They will always speak to me off the record, for my own education as an aspiring artistic leader. When it comes to going on the record? To date, every single leader has said no. Until now.
On May 27th, we spoke at length about not only Brooke’s transition, but her own transition into the position of Artistic Director, board relationships, racial inequity, the mysterious career “pipeline,” and police violence against Black people. The world has already changed so much since then. I encourage you to read this in its totality. This is a rare offering of truth, and I hope it invites other leaders to be more transparent in their processes. My questions are in bold, all other responses are Anna’s unedited thoughts. Continue reading “Behind The Curtain: Anna D. Shapiro Speaks About Steppenwolf’s Executive Leadership Transition, Board Relationships, the Pandemic, and the Epidemic of Racism”
There are a lot of things that we currently miss about the outside world — writing in cute coffee shops, hanging with coworkers, the lakefront — but perhaps the most gutting thing for us artsy folk is the fact that all theatre in the world has pretty much ground to a screeching halt. We still have movies and TV, of course, but there’s nothing else quite like the breathless thrill of a hard-hitting story that is happening in the same room as you.
Luckily, however, there are plenty of theatres across our nation who have managed to make their art available despite shuttering their doors, and so we are happy to provide this handy list of streaming theatre productions. NOTE: We’re going to limit this list to streaming theatre that is either newly available because of the pandemic, or was recently made free because of the pandemic. We will also make regular updates.
Continue reading “Rescripted’s Guide to Streaming Theatre From Home”
We are living in anxious times.
I don’t have anything particularly helpful to say about the larger issue of coronavirus. By all means, please stay home, wash your hands, and practice as much social distancing as possible. Here’s an excellent article about how social distancing will help and the best ways to practice it, as well as some cool, informative visualizations that show the scope of the problem.
I do, however, have something to say regarding mental well-being in these anxious times. I, for one, am doing everything my therapist has taught me in order to keep my anxiety under control; indoor exercise, yoga, meditations, and long walks outside (staying six feet away from anybody I see) have all worked wonders. But I won’t lie; I have found social distancing to be surprisingly difficult so far, and as of this writing it’s only been about three days. I’m not a social creature at the best of times, but strangely, I have within me at all times an unquenchable desire to be a social being. As an introvert, the closing of bars and restaurants hasn’t affected me much; I prefer hanging out one-on-one with people, especially people I haven’t talked to in a while.
Continue reading “In Defense of the Casual Phone Call”