Elizabeth Ann Michaela Keel’s Corona takes place on a beautiful set designed by Hannah Beaudry; squarish, obsidian walls, accented with vibrantly lit-up panels that shine with different garish colors throughout. A raised white dais, which looks equal parts marble and futuristic, rises from the stage’s middle and invokes our collective idea of what a starship bridge looks like without mimicking it outright. In addition, right away we are treated to brilliant projections and lighting design from Claire Sangster; the contrast of the black set with monochromatic floods of blue, or pink, or orange create a lovely, spooky, and (pardon the pun) otherworldly feel. In director Tiffany Keane Schaefer’s production, the back wall and side panels show projections of stars and nebulae as they slowly drift by. Continue reading “‘Corona’ Shines Bright at Otherworld Theatre Company”