If/Then, written by Tom Kitt and Brian Yorkey and directed by Elyse Dolan, is a musical about a city planner named Elizabeth (Amanda Giles) who has just moved to New York after a difficult divorce. In the show’s first moments, she meets some friends in Central Park and is soon presented with a choice: does she go with her friend Lucas (Parker Guidry) to a protest, or does she go with her other friend Kate (Bridget Adams-King) to an outdoor concert in Brooklyn? The following scenes alternate between the two universes created by this seemingly insignificant choice. The Elizabeth who goes with Lucas acquires the nickname of Beth, and soon lands a dream job designing parks in the city. The Elizabeth who goes with Kate soon acquires glasses, and is nicknamed Liz. She does not get her dream job, but eventually pursues a relationship with ex-soldier Josh (Michael Peters), with all the ups and downs that entails.
The ensemble work is incredibly strong; choreographer Katie Capp has created a fast-moving New York City, with all its frantic terror and vibrance, using only the bodies onstage. Music direction (Rachel Hoovler) contributes to the worldbuilding by constructing complex harmonies sung by the ensemble that paint the noise of the city; the singing from the entire cast is excellent. The set, from designer Jeremy Hollis, is mostly brick walls and doorways at odd angles, flexibly portraying a wide variety of locations while also contributing to the general NYC funk. I adore this minimalist approach to musical storytelling; it was thoroughly effective in Brown Paper Box Co’s previous show Little Women last year, and is just as well done here. The small band and barebones design accentuate that this is a show with a very small scope; not about revolutions or worlds, but the inner lives of everyday people.