The Chicago Artists Relief Fund was founded in response to the devastating impact of the quarantine on the performing arts community. Recent surveys have indicated 95% of artists have lost income due to the pandemic.
We didn’t need a poll to know that thousands of our peers, friends and collaborators lost their jobs and income overnight. The service industry jobs, the teaching artist jobs, and the wide variety of survival gigs artists rely on simply evaporated. The need is immediate and urgent. The founders of the Chicago Artists Relief Fund rose to the occasion.
Since March 15th The Fund has raised over $75,000 and distributed emergency grants to over 315 artists in need across a variety of disciplines. Today (May 4, 2020), they are announcing an updated goal of $150,000.
I caught up with two of the founders, Cruz Gonzalez-Cadel (Jeff Award Winner, one of my favorite Chicago actors and fellow theater mama) and Elle Riley-Condit (Co-Artistic Director of The Syndicate). Continue reading “‘The Chicago Artists Relief Fund’ Raises $75000, Doubles Fundraising Goal”
Institutions do not define our art.
Like many of us, I am an artist who has defined my artistic career by the institutions that granted me entry. This quarantine is causing them to suffer, which is causing my colleagues and mentors and teachers to suffer. In this moment of tremendous uncertainty, where the future of these institutions is unstable, it feels like our future is too. Continue reading “Institutions Do Not Define Our Artistic Practice”
P.Y.G. or the Mis-Edumacation of Dorian Belle is a comedy all about race and pop culture. Jackalope’s latest show written by Tearrance Arvelle Chisolm and directed by Lili-Anne Brown follows three figures navigating a satirical version of the pop music industry. Dorian Belle (Garrett Young) is a white pop star looking to make his image a little “tougher”. Petty Young Goons (P.Y.G.) are an up and coming rap duo who have been hired to teach Dorian about hip hop, despite their own inner conflicts about it. The whole affair is wrapped up tightly as a reality tv show. The show is energetic and funny while also wading deep into questions about authenticity and appropriation. Continue reading “Satire, or The Double Consciousness of the Black Artist in ‘P.Y.G.’ at Jackalope Theatre”
You may remember my last article in what must now become a series, Dear White Critics: Stop Using the N-Word, when Justin Hayford decided racial slurs were appropriate for a theatre column. Yesterday, Ben Brantley of the New York Times decided it was appropriate to make a joke out of the unveiling of a trans character’s pronouns in the new Broadway musical Head Over Heels’. The character? Oracle and non-binary plural narrator Pythio, portrayed by drag performer Peppermint, who is a trans woman. What’s notable is that it’s the first time a trans actor has ever created a principle role in a Broadway show, and that Pythio is one of a handful of genderqueer characters ever seen on Broadway. Therefore, as a critic, one might think Brantley would use this opportunity to celebrate that fact. Alas, instead he decided to say this: Continue reading “Dear White Critics: Stop Being Transphobic!”