Meet The Keys – Lonnae Hickman

Get to know Lonnae Hickman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Lonnae’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Lonnae and her cohort’s writing in our Key Reviews section!

Name: Lonnae Hickman

City/State: Originally from Milwaukee, WI, but now in Chicago, IL

Age: 20

Racial / Ethnic Identity: Black/Native American

Gender Identity and Sexual Orientation: Cis Queer Woman

Why do you want to write for Rescripted?:
I want to write for Rescripted because I’m dedicated to reviewing all types of theatre, not just the ones in the loop. Rescripted’s mission is working on giving honest and appropriate reviews for shows that are normally left out – shows that I believe are fundamental to Chicago and the theatre world. Continue reading “Meet The Keys – Lonnae Hickman”

Meet The Keys – Aaron Lockman

Get to know Aaron Lockman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Aaron’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Aaron and their cohort’s writing in our Key Reviews section!

Name: Aaron Lockman

City/State: Chicago, IL

Age: Chronologically 23, Spiritually 63 1/2

Gender Identity/Sexual Orientation: Mostly cis male, but with he/him/they/them pronouns, and a relationship with gender that could mostly be described as exhausted. Bisexual as heck.

Racial/Ethnic Identity: White/Eastern-European-Jewish

Why do you want to write for Rescripted?: Because I thoroughly agree with Rescripted’s mission of bringing a diverse array of voices into the critical sphere. And because the people seem nice. Continue reading “Meet The Keys – Aaron Lockman”

Meet The Keys – Yasmin Zacaria Mikhaiel

Get to know Yasmin Zacaria Mikhaiel, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Yasmin’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Yasmin and her cohort’s writing in our Key Reviews section!

Name: Yasmin Zacaria Mikhaiel
Age: 22, Aries 

Pronouns: She/Her/Hers

What, in your opinion, is the purpose of arts criticism?: Arts criticism is the way by which the ephemeral production of artists can be stamped into a place and time for posterity. By writing on the arts, we are creating a separate cannon that serves to document the who, what, where, when, how, and why of art for the present and future. Though criticism is viewed as assessing the quality of the work, it should also aim to root the production in our world. This means writing on the artists and acknowledging their social locations, their personal lenses. Continue reading “Meet The Keys – Yasmin Zacaria Mikhaiel”

Key Reviews: ‘Rightlynd’ at Victory Gardens Theater

These are the fourth set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Rightlynd at Victory Gardens Theater below! 
Continue reading “Key Reviews: ‘Rightlynd’ at Victory Gardens Theater”

Key Reviews: Revolution in ‘Crumbs From the Table of Joy’

These are the third set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Crumbs from the Table of Joy at Raven Theatre below!  Continue reading “Key Reviews: Revolution in ‘Crumbs From the Table of Joy’”

Key Reviews: The Curious Incident of the Dog in the Night-Time

 

These are the second set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of The Curious Incident of the Dog in the Night-Time at Firebrand Theatre in collaboration with Timeline Theatre below! Continue reading “Key Reviews: The Curious Incident of the Dog in the Night-Time”

Key Reviews: Caroline, Or Change

These are the first reviews from the second session of The Key: Young Critics Mentorship Program. This year’s cohort is Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Caroline, or Change at Firebrand Theatre in collaboration with Timeline Theatre below!
Continue reading “Key Reviews: Caroline, Or Change”

Key Reviews: ‘In the Next Room, or The Vibrator Play’

The Key: Young Critics Mentorship Program brings students to various productions around Chicago, teaching them about arts criticism as they try their hand at writing reviews. The opinions of the students are their own; we workshop the pieces in seminar every other week, and then they edit their reviews before publication. These reviews from our Fall session are edited by Oliver Sava and Regina Victor

Danielle Chmielewski

The fact that somehow the existence of female sexuality is still up for debate is almost impressive in how narrow-minded it is. Not enough has been sad about the epidemic of “hysteria” in the 1800’s. The fact that a legitimate medical diagnosis was given to women who were experiencing the wide spectrum of basic human emotion and no longer living up to men’s expectations is nearly laughable. And yet, as off the wall as it sounds, it should only come as a shock to someone who hasn’t picked up a newspaper in the past month. Continue reading “Key Reviews: ‘In the Next Room, or The Vibrator Play’”

‘Lizzie’ Rocks Out at Firebrand: Key Reviews

The Key: Young Critics Mentorship Program brings students to various productions around Chicago, teaching them about arts criticism as they try their hand at writing reviews. The opinions of the students are their own; we workshop the pieces in seminar every other week, and then they edit their reviews before publication. These reviews from our Fall session are edited by Oliver Sava and Regina Victor. 

Danielle Chmielewski

I loved this show. To be absolutely honest I am not sure if I can provide a measured and calculated analysis of the strengths and weaknesses of Firebrand’s debut musical because the only thing that really comes to mind is that totally rocked. Continue reading “‘Lizzie’ Rocks Out at Firebrand: Key Reviews”

Key Reviews: Multimedia Edition

The ability to write about different art forms is essential to making a living as an arts critic, so we wanted to encourage our students to write about whatever non-theatre art caught their interest. The following are reviews of Murder on the Orient Express, The Daily, and My Life As a Zucchini. The viewpoints of the authors are entirely their own. Edited by Oliver Sava and Regina Victor.  Continue reading “Key Reviews: Multimedia Edition”