‘2 Unfortunate 2 Travel’ Does Not Make The Journey

2 Unfortunate 2 Travel is a show by and for bleeding heart B.A. liberals raised on pop-culture. This devised work by director and adaptor Zach Weinberg takes Thomas Nashe’s novella The Unfortunate Traveler and brings the tale of a young man exploring the world into the post-Trump era. In this adaptation, protagonist Jack Wilton wants to relive his exploits across the globe through a variety show featuring a skilled group of women. Prop Thtr’s production of 2 Unfortunate 2 Travel caps off a 2-year workshop period and clearly wants to start a conversation. Despite several stand-out moments, the play leaves me more confused than conversive. Continue reading “‘2 Unfortunate 2 Travel’ Does Not Make The Journey”

‘Girl in the Red Corner’ at Broken Nose Theatre

Broken Nose Theatre’s production of Girl in the Red Corner by Stephen Spotswood brings the long and complicated relationship women have with rage to the mat. Newly free from an abusive relationship yet trapped in her mother’s house, the now unemployed Halo (Elise Marie Davis) steps into a mixed martial arts gym for the first time. Under the expertise of her trainer, Halo discovers a new passion that allows her to break away from the family drama constantly at her heels. Elizabeth Laidlaw directs the Midwest premiere of Spotswood’s script, and the result is a ferocious heroine’s journey. Continue reading “‘Girl in the Red Corner’ at Broken Nose Theatre”

‘Tedium and Other Sensations’ – Chicago International Puppet Theater Festival

Tedium and Other Sensations, as featured in the Chicago International Puppet Theater Festival, is the product of a massive collaboration. Mocrep, The Neo-Futurists, and Theater Oobleck converge to explore and adapt the written work of Chicago playwright, Mickle Maher. The result, a two-part event that left me questioning everything I know about time, food, and theatre. Continue reading “‘Tedium and Other Sensations’ – Chicago International Puppet Theater Festival”

A Vital and Gritty ‘In The Blood’ at Red Tape Theatre

Red Tape Theatre performs In the Blood by Suzan-Lori Parks at The Ready in Ravenswood. The theatre is a narrow strip covered in graffiti. It’s fresh, and I can tell because the scent of paint is unmistakable. Among this jumble of tags, the word “SLUT” screams in a bright pink that adds to the cruelty of the word. Hester (Jyreika Guest) is a downtrodden mother of five who has made the space under an overpass her home, a home now defaced with this vile word she has no way of reading. It is under this bridge where Hester cares for her children and is cared for by no one. Continue reading “A Vital and Gritty ‘In The Blood’ at Red Tape Theatre”

‘Fuente Ovejuna’ at City Lit Revisits a Different Kind of Golden Age

Let me start off by saying how happy I am that City Lit Theatre is doing Fuente Ovejuna by Lope de Vega. I love this script, I’ve always loved this script, and all of me wishes that it was done more. A huge booming “THANK YOU” to City Lit and director Terry McCabe for taking on their own adaptation of a painfully underproduced classic. From Spain’s golden age of drama, Fuente Ovejuna is Lope de Vega’s best-known work. A village revolts against a predatory authoritarian who uses his military and religious “power” to justify and prey upon the women of the rural town. The revolutionaries in this story are the women, which is particularly refreshing once you remember that the script was first published in 1619. This play has everything: love, war, drama, humor, history, and relevance. Continue reading “‘Fuente Ovejuna’ at City Lit Revisits a Different Kind of Golden Age”