REVIEW: ‘The Steadfast Tin Soldier’ at Lookingglass Theatre is a Whimsical Holiday Treat

Based on the story by Hans Christian Andersen, The Steadfast Tin Soldier is a bittersweet tale about love against all odds. This year the annual Lookingglass Theatre tradition is going digital with an on-demand recording of the 2019 production. Ensemble Member Mary Zimmerman’s playful take on this holiday tale is a dazzling treat for the whole family. Invite a little magic into your home with this spellbinding hour of holiday entertainment.

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REVIEW: Shotgun Players’ Multi-Cam Stream of ‘The Light’ is Another Promising Entry to the Digital Theatre Era

Shotgun Players casts a real-life couple to play opposite each other for its production of The Light by Loy A. Webb, streamed live from the couple’s own living room. Genesis (Leigh Rondon-Davis) and Rashad (Kenny Scott) are celebrating their anniversary and Rashad has an important question to ask. The joyous evening turns sour as secrets are revealed and their shared future splinters. Directed by Nailah Harper-Malveaux, this 70-minute real-time production revisits 2018 to examine the intersection of race and gender.

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REVIEW: Holiday Tradition Meets Zoom Theatre with ‘It’s A Wonderful Life’ at American Blues

I, like so many others around the world, am still coming to terms with the fact that I won’t see my family this holiday season. I won’t go home for the holidays, I won’t have anyone in my own home, and all those family traditions will have to be reimagined, if practiced at all. American Blues Theatre is reimagining some traditions of their own, adapting the second longest-running holiday play in Chicago for Zoom. It’s A Wonderful Life: Live in Chicago! is a retelling of Frank Capra’s classic film about one man’s integral role in his community. This cheerful (and unapologetically digital) adaptation invites the audience to revel in the strangeness and find something to celebrate from their own little square.

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REVIEW: ‘A War of the Worlds’ at Theatre in the Dark is Both Cosmic and Intimate

A War of the Worlds adapts H.G. Wells’ classic tale of extraterrestrial invasion for the present day with a production designed for this new era of digital performance, inspired by the legendary 1938 Orson Welles broadcast. Theatre in the Dark’s hallmark style expertly translates a thrilling new piece originally planned for in-person performance to a purely audio medium. Rather than sitting in a darkened space with other theatergoers, audiences are invited to curate their own “dark and cozy” environment, pick up a drink, and listen in.

Set in and around modern-day Chicago, A War of the Worlds documents a battle for the planet between Earth forces and an invading Martian army. The script begins in retrospective, as The Professor (Ming Hudson) combs through artifacts left behind by a married couple separated while trying to flee the area. Science journalist H.G. Wells (Mack Gordon) and photographer Isabel Wells (Elizabeth McCoy) each capture world-ending events, described in gripping detail to the audience listening from home. This live virtual audio drama, co-authored by Corey Bradberry and Mack Gordon (and directed by Bradberry), skillfully adapts the novel with captivating language that matches the production’s renowned predecessors.

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REVOLUTION GLOSSARY: Clarifying ‘Microaggression’

Rescripted’s Revolution Glossary is our new series where we dive deeper into words which are part of the conversations about justice happening around all of us. The goal of this series is to provide a resource for people who want to expand their vocabulary around social justice topics, or people who want extra context and perspective on their word choices. Our hope is that this series can spark some important discussions, and help people jump into those discussions with enthusiasm.

Microaggression is a term that we hear and use a lot. It was even referenced previously in our Revolution Glossary: Unpacking Allyship. The word itself seems so self-explanatory. Despite its wide-usage and seemingly obvious definition, this term is often misused to a damaging degree. Psychologist Derald W. Sue, author of Microaggressions in Everyday Life: Race, Gender, and Sexual Orientation, defines a microaggression as an act that communicates “The everyday slights, indignities, put downs and insults that people of color, women, LGBT populations or those who are marginalized experiences in their day-to-day interactions with people.” The piece of this definition that often goes unacknowledged, and where the most damaging misinterpretation occurs, is the relationship between who is acting out the microaggression and who is forced to receive it?

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ESSAY: What I Did For Love, And How I Plan To Do Less

A strange ritual would often take place in the halls of my university’s theatre center. College students would convene before classes or rehearsals to present the hours of sleep they had claimed the night before. The student who shared the lowest number would wear this insomnia as a badge of honor. Bonus points were awarded if the time spent awake was done at the library, or in the theatre after hours. I perceived this bizarre ritual as a product of the college experience. Little did I know, the professional theatre would not be that different.

Grind/hustle culture exists in every industry and is designed to incentivize overwork. The archaic 40-hour work week is pushed aside as the bare minimum and anything short of 110% is not enough. This workplace environment leverages guilt to maximize productivity. For an industry that thrives off freelance and contracted work, however, the hustle is more than just a point of pride. It is a necessity. The theatre has an age old habit of underpaying (if at all). Artists are forced to take on overlapping projects and survival jobs just to make ends meet.

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‘Roan @ the Gates’ at American Blues Theatre Tells a Scarily Relevant Love Story

Roan @ the Gates is a patriotic love story of two righteous women who are torn between their relationship and their principles. Roan (Brenda Barrie), an NSA analyst, puts everything on the line when she leaks government documents to an international reporter. Roan flees to Russia, and her wife Nat (Jasmine Bracey) is left blindsided and an ocean away. The Chicago premiere of Christina Telesca Gormans’ cyberfiction is much closer to reality than one might hope. In 75 minutes, director Lexi Saunders documents a deteriorating marriage with stunning design and intimate performances. As the conflict builds and communication breaks away, however, the narrative falls into a loop where the same argument is played out again and again.

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Past and Present Collide in ‘Leopard Play, or sad songs for lost boys’ at Steep Theatre

Often nostalgia and trauma share the same home. For Isaac Gomez, that place is El Paso, Texas. His new script, Leopard Play, or sad songs for lost boys, features a character who is only billed as “Son.” After ten years, Son returns to El Paso for a memorial in honor of his uncle who died of a heart attack — or at least that’s what the autopsy says. In a search for answers surrounding his uncle’s mysterious death, Son must confront painful family dynamics and his own romantic relationships. In Steep Theatre’s world premiere production, directed by Laura Alcalá Baker, the past squares off against the present for an electrifying and emotive piece of theatre. The Leopard Play will have you wanting to call your parents and go out dancing.

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‘Sheepdog’ at Shattered Globe Theatre is a Love Story for Twisted Times

As Sheepdog opens, Amina, a black police officer, tells the story of her life-changing relationship with Ryan, a white officer on the Cleveland police force. Doubt wedges itself between the two when an officer in their department shoots and kills a young black man. The script, from playwright Kevin Artigue, is raw and romantic. Wardell Julius Clark directs this heartbreaking love story with an empathy that informs the entire performance. This tender, stylized production is directed with a care that is dangerously vulnerable. Shattered Globe Theatre’s production of Sheepdog places tragedy under the microscope to discover a kaleidoscopic blend of the beautiful and the ugly.

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‘Cold Town/ Hotline: A Chicago Holiday Story’ at Raven Theatre

(left to right) Jeanne T. Arrigo, Sam Linda, Dennis Garcia and Caroline Chu. Photo by Michael Brosilow.

The bitter cold and the holiday season are both barreling into Chicago, and no one is immune from the overwhelming combination. In an effort to combat this special brand of wintry blues, Raven Theatre’s Cold Town/ Hotline: A Chicago Holiday Story takes it back to 1983, where a ragtag group of Chicagoans volunteer their time at a holiday hotline called the Yule Connection. Folks are invited to call in and chat about their seasonal stressors, but when one young caller makes an in-person visit, the team bands together to find a little connection of their own. Like a lot of holiday memories, this world premiere, written and directed by Eli Newell, has bursts of heartwarming holiday sentiment that break through a series of meandering moments.

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