Abolish The Police

Publishing our planned pieces would have felt out of place this week, as we mourn Daunte Wright, yet another Black citizen killed by police. We also honor Adam Toledo, a 13-year-old boy killed by police here in Chicago. As the inevitable news and social media cycle starts up yet again, it becomes even more blatantly obvious that the only way to stop this is to disarm, defund, and abolish the police. We have seen again and again that police reform does not work, and is in fact often used as an excuse to funnel more money into already huge police budgets. Abolishing the police will not fix systemic racism, and must include other reforms like abolishing prisons — but it is an important first step. If you want to learn more about these ideas, or want to donate to causes that are pushing for this change, we’ve compiled a short list of resources below.

Yes, We Mean Literally Abolish the Police

The “abolish the police” movement, explained by 7 scholars and activists

To All The Black People Killed Before Me

Donate to support Daunte Wright’s family

Donate to the Brave Space Alliance

Donate to My Block, My Hood, My City

Rescripted Launches Patreon, Announces Community Funding Model

Big news: We are launching an official Rescripted Patreon! As of 2021, Rescripted is restructuring financially so that we are funded by you, our community. All of our reviews, essays, and other content are free to access, and our site is ad-free. Our Patreon is a way for you to support us so we can continue advancing our work: giving artists agency in their critical process, and reshaping our field from a place of empathy, justice, and accessibility — as well as paying ourselves and our writers a decent wage.

Some of the perks and benefits we’ll be offering include:

  • The Weekly Digital Roundup, a summary of the most exciting digital theatre happening online curated by our Assistant Editor Aaron Lockman. This is the same list that gets sent to our writers, so you get the scoop at the same time our writers do!
  • Our monthly Patron-only newsletter, featuring exclusive content such as artist profiles, a letter from the Editors, interviews, and behind-the-scenes access.
  • Credit on the Rescripted website as one of our top donors.
  • And at the highest level, exclusive access to the monthly Rescripted Podcast, where Chief Editor Regina Victor and Assistant Editor Aaron Lockman discuss the hottest topics in Chicago theatre.

Thank you so much for your support, both as we move into this new crowd-funded era, and over the last three years. Please go support us on Patreon if you can!

Sideshow Theatre Presents ‘You For Me For You,’ Mutual-Aid Food Drive

 Sideshow Theatre Company is pleased to launch its 2021 season with a one-night-only benefit screening of its 2018 hit You For Me For You, written by Mia Chung and directed by Ensemble Member Elly Green*. The archival recording of this imaginative production will stream Sunday, February 28, 2021 at 7 pm CST via sideshowtheatre.org, as well as the company’s YouTube and Twitch channels. Tickets (pay-what-you-can) are currently available at sideshowtheatre.org

Sideshow is also partnering with Paramount Catering to offer meal add-ons the night of the benefit. Prices start at $40, including delivery for one person, and meals can be donated to those in need starting at $30. Vegetarian and meat options are available. Sideshow will be providing its own donation of free meals to those in need through Farm, Food, Famlias during the month of March, and the meals patrons donate will be added to this number. Continue reading “Sideshow Theatre Presents ‘You For Me For You,’ Mutual-Aid Food Drive”

Sideshow Theatre Company Announces 2021 New Play Digital Season, Including a House Party Series of Fresh Plays

Sideshow Theatre Company just announced its 2021 Season, featuring an all-virtual line-up of entertainment. This announcement comes only weeks after the announcement of their new company members. The season kicks-off this month with a one-night-only benefit screening of Sideshow’s 2018 hit You For Me For Youwritten by Mia Chung and directed by Ensemble Member Elly Green. This summer, Sideshow presents a reading of Preston’s Choi’s new play Drive-In at the End of the World, directed by Associate Artistic Director Justin J. Sacramone and created through “The Freshness Initiative,” Sideshow’s new play development program. Throughout the year audiences can also enjoy the Sideshow House Party Series, five virtual readings by some of the company’s favorite playwrights – each followed by an interactive celebration.

Sideshow Artistic Director Regina Victor states: “The Sideshow Ensemble is excited to have cultivated a season full of curiosity and delight to gather the community in these tough times. Looking at the plays we’ve chosen to present, each one in their own way asks the question: Who am I, and who decides that, really? Power dynamics play out across race, class and gender in unconventional ways across our season, and there’s even quite a bit of magic sprinkled in. I’m so grateful, in this moment of leadership transition and COVID-19, to be able to continue to build upon Sideshow’s legacy of presenting and developing some of Chicago’s most memorable and exciting plays. I really have the ensemble’s artistic determination, and the dedication of my Executive Director and board to thank for that.” Continue reading “Sideshow Theatre Company Announces 2021 New Play Digital Season, Including a House Party Series of Fresh Plays”

WHAT WE DO Interview Series: Terry Guest

WHAT WE DO is a visual interview series where we briefly talk to Chicago theatre artists about their art — what they do, why they do it, and what their creative process is like, even as it shifts in the midst of a pandemic. We’ve given each artist 8 written questions, as well as 3 prompts for photographs that capture their current headspace. 

Today we’re hearing from Terry Guest, Chicago-based actor, playwright, and teaching artist. His works have been featured at Story Theatre, Chicago Children’s Theatre, Goodman Theatre, Random Acts Chicago, and others.

Continue reading “WHAT WE DO Interview Series: Terry Guest”

Ike Holter’s “Put Your House In Order” to be Adapted for The Roustabouts Audio-Thriller

It’s spooky season and Chicago playwright Ike Holter is delivering some delicious horror content via The Roustabouts for your pleasure this Halloween. The Roustabouts have announced the upcoming release of their first Audio-Thriller available for streaming and download. On October 28th, at 8pm, the creative arts ensemble will drop the world-premiere production of Put Your House In Order by Ike Holter to be available from just before Halloween until right before election day, closing at 11:59pm Central on Monday November 2nd. The play will stream for free, and suggested donation is $10 at www.PYHIO.com Continue reading “Ike Holter’s “Put Your House In Order” to be Adapted for The Roustabouts Audio-Thriller”

WHAT WE DO Interview Series: Brett Neveu

WHAT WE DO is a visual interview series where we briefly talk to Chicago theatre artists about their art — what they do, why they do it, and what their creative process is like, even as it shifts in the midst of a pandemic. We’ve given each artist 8 written questions, as well as 3 prompts for photographs that capture their current headspace. 

Today we hear from Brett Neveu: playwright, professor at Northwestern University, and ensemble member at Red Orchid Theatre.

SELF-CAPTURE: A selfie, self timer portrait, a baby photo, or just a really awesome picture of yourself that you love.

Pre-pandemic, how would you have described your job, in a sentence? How is it different now?
I’m a writer & an educator who educates about writing. Via the previous description of my job, it really hasn’t changed much. Still writing, still educating, but what’s changed is how both are presented. My classes at Northwestern (where I’ve taught since 2012) are remote and all of my theatre/film/TV is either on pause or wiped away entirely. But the core of it, the writing? It’s still churning.

Continue reading “WHAT WE DO Interview Series: Brett Neveu”

WHAT WE DO Interview Series: Lavina Jadhwani

WHAT WE DO is a visual interview series where we briefly talk to Chicago theatre artists about their art — what they do, why they do it, and what their creative process is like, even as it shifts in the midst of a pandemic. We’ve given each artist 8 written questions, as well as 3 prompts for photographs that capture their current headspace. 

Today we’re hearing from Lavina Jadhwani, Chicago-based director, adaptor, and activist. She’s directed for Writers Theatre, Silk Road Rising, Remy Bumppo, the side project, and many others.

SELF-CAPTURE: A selfie, self timer portrait, a baby photo, or just a really awesome picture of yourself that you love.

Continue reading “WHAT WE DO Interview Series: Lavina Jadhwani”

WHAT WE DO Interview Series: Calamity West

WHAT WE DO is a visual interview series where we briefly talk to Chicago theatre artists about their art — what they do, why they do it, and what their creative process is like, even as it shifts in the midst of a pandemic. We’ve given each artist 8 written questions, as well as 3 prompts for photographs that capture their current headspace. 

We start with Calamity West, Chicago-based award-winning playwright, and professor of playwriting at the University of Chicago and Webster University.

SELF-CAPTURE: A selfie, self timer portrait, a baby photo, or just a really awesome picture of yourself that you love.

Continue reading “WHAT WE DO Interview Series: Calamity West”

Chicago Artists Shine in Virtual Staged Reading of BLACK LIKE ME at The Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis invites audiences to witness the new play development process firsthand on September 10th with a virtual staged reading of Black Like Me by Monty Cole, based on the memoir of the same name by John Howard Griffin. This entertaining noir docu-drama examines the fine line between allyship and appropriation.

In 1959, a white journalist sought a doctor’s help to temporarily darken his skin so he could “pass” as Black. He traveled the segregated South for three weeks and published his experiences in 1961. Griffin’s journal has been celebrated by many as an indictment of racism, while others have described it as patronizing or offensive.

Continue reading “Chicago Artists Shine in Virtual Staged Reading of BLACK LIKE ME at The Repertory Theatre of St. Louis”