‘Red Rex’ is the Clapback Chicago Theatre Never Knew it Needed

Ike Holter’s Red Rex takes a deep dive into the underbelly of making theatre in Chicago, and a brave ensemble of people at Steep Theatre rose to the challenge. The sixth play in the Rightlynd Saga directed by Jonathan Berry gets its name from the fictional theatre company at the center of the narrative, Red Rex Theatre Company. After almost a decade of relatively mediocre production Red Rex has recently taken up residence in the abandoned former home of the Three Lord Gang – one of many easter eggs from the rest of the Rightlynd Universe (the RU, you know, like MCU).  Continue reading “‘Red Rex’ is the Clapback Chicago Theatre Never Knew it Needed”

‘Dada Woof Papa Hot,’ a Family Drama at About Face Theatre

Our present moment invites more conversations than ever about the kind of world we want to live in and whether the behaviors of our predecessors is worth emulating. Dada Woof Papa Hot, Peter Parnell’s rather absurdly named play, asks some very straightforward questions about American home life and the value of the nuclear family. The playwright uses the lens of sets of two sets of gay dads who have young children in the same school. They decide to be couple friends and try to use their bond to navigate fatherhood and their relationships together. Continue reading “‘Dada Woof Papa Hot,’ a Family Drama at About Face Theatre”

Rescripted Recognized: Year In Review 2018

This year in Chicago Theatre has been tumultuous yet full of so much growth. 2018 saw communities coming together like never before, with the Latinx Theatre CommonsCarnaval of New Latinx Works and the Alliance of Latinx Theatre Artists’ Awards.

We said goodbye to American Theatre Company, under the brief yet highly significant Will Davis’ leadership. His work pushing the boundaries of gender and casting still reverberates throughout this city. New leadership has arisen in the form of Andrew Cutler, Amanda Fink, and Eric Gerard, at Black Box Acting Company as they take over the mantle from Audrey Francis and Laura Hooper. Continue reading “Rescripted Recognized: Year In Review 2018”

Meet The Keys – Sierra Carlson

Get to know Sierra Carlson, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Sierra’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Sierra and her cohort’s writing in our Key Reviews section!

Name: Sierra Carlson

City/State: Chicago, IL

Age: 22

Racial / Ethnic Identity: White

Gender Identity and Sexual Orientation: Female, Hetero

Why do you want to write for Rescripted?: I want to write for Rescripted because I want to support a platform for socially-conscious culture writing that questions the status quo and celebrates the revolutionary. Continue reading “Meet The Keys – Sierra Carlson”

Meet The Keys – Lonnae Hickman

Get to know Lonnae Hickman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Lonnae’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Lonnae and her cohort’s writing in our Key Reviews section!

Name: Lonnae Hickman

City/State: Originally from Milwaukee, WI, but now in Chicago, IL

Age: 20

Racial / Ethnic Identity: Black/Native American

Gender Identity and Sexual Orientation: Cis Queer Woman

Why do you want to write for Rescripted?:
I want to write for Rescripted because I’m dedicated to reviewing all types of theatre, not just the ones in the loop. Rescripted’s mission is working on giving honest and appropriate reviews for shows that are normally left out – shows that I believe are fundamental to Chicago and the theatre world. Continue reading “Meet The Keys – Lonnae Hickman”

Meet The Keys – Aaron Lockman

Get to know Aaron Lockman, a recent Alumni of The Key Young Critics Mentorship Program! Each writer wrote a multimedia review about a piece of pop culture currently capturing their imagination that you can read at the end of Aaron’s profile. We’d like to thank Angelica Jade Bastien at Vulture for sharing her insights on media reviewing with us. Check out more of Aaron and their cohort’s writing in our Key Reviews section!

Name: Aaron Lockman

City/State: Chicago, IL

Age: Chronologically 23, Spiritually 63 1/2

Gender Identity/Sexual Orientation: Mostly cis male, but with he/him/they/them pronouns, and a relationship with gender that could mostly be described as exhausted. Bisexual as heck.

Racial/Ethnic Identity: White/Eastern-European-Jewish

Why do you want to write for Rescripted?: Because I thoroughly agree with Rescripted’s mission of bringing a diverse array of voices into the critical sphere. And because the people seem nice. Continue reading “Meet The Keys – Aaron Lockman”

The Scope of Blackness in ‘This Bitter Earth’

This Bitter Earth by Harrison David Rivers and directed by Mikael Burke is currently running at About Face Theatre. This two person show follows an interracial gay couple through the most agonizing police violence events of our time. It is a treat to witness the gifted Sheldon Brown return to the stage again after an impressive turn in the Shipment. Especially in a role that is all about taking risks and attempting to live life to the fullest. Continue reading “The Scope of Blackness in ‘This Bitter Earth’”

Key Reviews: Revolution in ‘Crumbs From the Table of Joy’

These are the third set of reviews from this year’s The Key: Young Critics Mentorship Program. Members of this cohort are: Sierra Carlson, Yasmin Mikhaiel, Aaron Lockman, Elon Sloan, and Lonnae Hickman. All reviews are workshopped and edited by co-facilitators Oliver Sava and Regina Victor. Check out their reviews of Crumbs from the Table of Joy at Raven Theatre below!  Continue reading “Key Reviews: Revolution in ‘Crumbs From the Table of Joy’”

How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community

Did you know the Jeff Awards were last Monday? If so, you’re already doing better than me. When I returned from working on Pipeline at Indiana Repertory Theatre, I said to a few friends I was planning on going to the Jeffs, which I thought was next Monday (today). I then had a quiet night in my home, scrolling through Facebook, reading scripts and hanging out with my cat, when my friend came over. “Hey!” She said, wine and cheese in hand – how any good friend should arrive at your door – “My boyfriend is at the Jeffs so he won’t be home for a while!” At this point, imagine me, going to the sunken place à la Daniel Kaluuya in Get Out. Continue reading “How I Missed The Jeff Awards, or, The Misrepresentation of the Chicago Theatre Community”

‘Tangles and Plaques’ Demystifies Dementia

Tangles and Plaques at the Neo-Futurists, a Neo-Lab commission about the effects of dementia first seen in Fall of 2017, has returned for a three-week engagement at the Neo-Futurarium. Sourcing its name from Plaques and Tangles, deposits of protein that cause cell damage and death in the brain, Tangles and Plaques attempts to translate dementia into the language of theatre. This is inherently successful in the structure of the play. Sections of the script are repeated and intentionally disorient the audience. Neos ensemble member and creator of the piece Kirsten Riiber wrote the show based on her work in reminiscence therapy at a local retirement home. Reminiscence therapy is used to conjure the most relevant and clear memories to an aging person, those from their childhood. Therefore the meat of the show takes place in the “accumulated nostalgia-scape of seven artists on a budget.” Continue reading “‘Tangles and Plaques’ Demystifies Dementia”