Mendoza – No se Olvide (We Will Not Forget)

Review by Hannah Herrera Greenspan
Spanish Translation by Claudia Quesada 

Power. Ambition. Corruption. Blood. Pain. In the round. Español. A live chicken. Need I say more?

I had the absolute delight to witness a brilliant adaptation of Macbeth, conceived by Juan Carrillo and Antonio Zúñiga, directed by Carrillo, of Los Colochos Teatro. This six-year old theatre company based in Mexico City, is committed to, “…a quality, critical, and national theater.” Los Colochos Teatro genuinely values the exchange of thoughts about the work. After the performance, Juan Carrillo asked audience members to share our thoughts with the company, good, bad, over social media, or face to face. Quite different from American theatre-where we leave the conversation to the discretion of the critic. Los Colochos wants to start a conversation with its audience members. How refreshing is that? Continue reading “Mendoza – No se Olvide (We Will Not Forget)”

The 2018 ALTA Awards: A Night of Celebration for Latinx Artists

Pictured: The core team of organizers for the ALTA Awards being thanked by Isaac Gomez, co-Creative Director of the Awards (the other co-creator Nancy Garcia Loza).

“Just look at this turn-out! And we’re only 15 minutes into the night. Like WE’RE always running late!” – Laura Alcalá Baker, casting director and artistic programs manager at Victory Gardens.  The crowd attending the ALTA awards that evening at Victory Gardens Theater had packed the lobby barely 20 minutes into the cocktail hour! Continue reading “The 2018 ALTA Awards: A Night of Celebration for Latinx Artists”

‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present

Paula Vogel’s Indecent now playing at Victory Gardens begins with the cast of performers sitting upstage, almost blending into the set that transports you to an old Broadway style house, outlined with bright lights similar to a marquee. Upon first glance, the set appears to be a deep mahogany. But once the house lights go down, and the stage lights come up, the set is a cool cinder block grey. When the cast rises, ashes gush from the insides of their coats, hauntingly reflecting and foreshadowing the persecution Jews have faced. This opening image is so beautiful, it’s almost dream-like and sets the tone for the rest that will follow. Continue reading “‘Indecent’ A True Story of Breaking Artistic Barriers from 1900s-Present”