Ike Holter’s ‘The Light Fantastic’ is Horror-Comedy at its Smartest

The Light Fantastic combines Ike Holter’s brilliantly funny writing with formidable production design that makes the play, directed by Gus Menary, work on several levels. It’s a deliciously spooky thriller with a reverse Faustian twist. It’s an endearing romantic comedy. It a clever send-up of horror genre tropes (I likely missed five references for every one that I caught). And it offers up a refreshingly empowering narrative that hinges on female agency as opposed to the female helplessness the genre has long relied upon. The play also has a strong moral point of view as it touches on subjects as wide ranging as bullying, homophobia, taking advantage of your friends and the grave error of ignoring your mother’s phone calls. On a more philosophical level this play is about characters asserting the right to face death on their own terms as they grapple with Kantian questions of moral duty. Continue reading “Ike Holter’s ‘The Light Fantastic’ is Horror-Comedy at its Smartest”

Brett Neveu’s ‘To Catch a Fish’ Dramatizes a Real Life Tale of Entrapment

Brett Neveu’s world premiere TO CATCH A FISH, developed at Timeline and directed by Ron OJ Parson, takes on the morally repugnant practice of police entrapment. Neveu takes us to the peaceful Milwaukee neighborhood of Riverwest where in 2012 officers from the Alcohol, Tobacco, and Firearms Bureau set-up a phony shop with an aim to lure the community into selling guns by offering to purchase them at triple their street value. This perverse incentive created a gun market where there wasn’t one. People started buying guns at local stores to turn around and sell them to the ATF, even going so far as to dredge up antiques and family heirlooms to cash in on the offer. Later, community members entrapped by this scheme were rounded up to face criminal charges. Continue reading “Brett Neveu’s ‘To Catch a Fish’ Dramatizes a Real Life Tale of Entrapment”

‘A Story Told in Seven Fights’ Investigates the Neo-Futurists Founding Myths

The energy at the Neo-Futurarium holds a lot of history for Chicago audiences and just being in a space where you’ve come to expect the unexpected generates anticipation. A Story Told in Seven Fights begins with a comic teaser fight in the lobby as the audience is waiting to be ushered into the theater. This cold open establishes the show’s major theme: the relationship between performer and performance. The show, a devised work created by Trevor Dawkins and directed by Tony Santiago, explores the explosive birth of Dadaism and its later clash with Surrealism. The throughline is an exploration of what founders contribute to a movement. The play asks: at what point does a movement become bigger than its founding vision and, perhaps also, at what point does a movement morph into something entirely different? Continue reading “‘A Story Told in Seven Fights’ Investigates the Neo-Futurists Founding Myths”

‘Kingdom’ is a Portrait of a Gay Happily Ever After

In his playwright’s note for Kingdom, Michael Allen Harris says, “Much of the popular queer media and scholarship focuses on queerness from a white, middle class, and urban context. And so, I took this play ‘home.’” The play, directed by Kanomé Jones, was developed in house as part of Broken Nose Theatre’s new play development program, The Paper Trail. Kingdom is romantic comedy with a touch of family drama. It centers around Henry (Watson Swift) and Arthur (Christopher McMorris), a gay black couple in their seventies, their lesbian niece Phaedra (RjW Mays) and their grown son, Alex (Michael Mejia-Beal). Continue reading “‘Kingdom’ is a Portrait of a Gay Happily Ever After”

‘Surely Goodness and Mercy’ Showcases A Young Boy’s Staggering Act of Love

Chisa Hutchinson’s intimate four character drama Surely Goodness and Mercy at Redtwist Theatre takes on the difficult subject of child abuse and makes children its heroes. During a month when we are seeing young people in the news rising up to speak out against violence it’s inspiring to see the story of a young boy who is able to escape the violence in his own home while doing good for others. Continue reading “‘Surely Goodness and Mercy’ Showcases A Young Boy’s Staggering Act of Love”

‘Skeleton Crew’ Revisits the Financial Crisis on a Factory Floor

Skeleton Crew, the final play in Dominique Morisseau’s Detroit trilogy, just finished its run at Northlight Theatre, directed by Ron OJ Parson. The play is set during the economic crisis of 2008 in the breakroom of one of the last small autoparts plants standing. This is highly skilled work and the men and women who do it are proud, and proudly union. But their jobs and way of life are hanging by a thread. Faye (Jacqueline Williams) has had a thirty-nine year career doing every manner of job in the factory. She’s also union rep as well as unofficial matriarch. Faye mothers her two young coworkers, Dez (Bernard Gilbert) and Shanita (AnJi White) with a mix of deadpan humor and straight talk. Their unit manager, Reggie (Kelvin Roston Jr.) is torn between trying to save his worker’s jobs and trying to prepare them for the inevitable. When factories are closing unions have little leverage and Faye’s lifelong relationship with Reggie complicates her ability to be the best union rep she can as things get more and more desperate. Continue reading “‘Skeleton Crew’ Revisits the Financial Crisis on a Factory Floor”

‘Fear & Misery in the Third Reich’ Revives Brecht’s Urgent Call to Action

Bertolt Brecht’s Fear & Misery in the Third Reich is a deeply chilling series of short plays detailing life in Hitler’s Germany. Director Josh Sobel’s well-curated presentation of these vignets captures the immediacy of the fascist threat including: the dissemination of propaganda, attacks on free speech, the dismantling of the justice system and state sanctioned hate crimes. Continue reading “‘Fear & Misery in the Third Reich’ Revives Brecht’s Urgent Call to Action”

Calamity West’s ‘Hinter’ Combines Comedy and Suspense with a Dose of Social Commentary

Can you offer help to those who don’t ask for it? This is the central question of Calamity West’s Hinter, now in its world premiere at Steep Theatre. Directed by Brad DeFabo Akin, the play takes as its subject the unsolved murders of the Gruber family on the isolated Hinterkaifeck farm in 1922 Bavaria.  Continue reading “Calamity West’s ‘Hinter’ Combines Comedy and Suspense with a Dose of Social Commentary”

‘Franklinland’ Reimagines A Founding Father’s Fatherhood

Playwright Lloyd Suh has a unique gift for explicating the beautiful and excruciating nuances of parent-child relationships. The world premiere of his new play, Franklinland, directed by Chika Ike at Jackalope, offers a witty and playful reimagining of the relationship between Benjamin Franklin and his son, William. The story centers on pivotal moments in the Franklins’ fraught relationship during the years leading up to and after the American revolution. As we race through time we see William grow from a young man eager for his father’s approval, to a wounded and alienated adult bent on opposing him, though maybe not wholeheartedly. It’s complicated.

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‘Montauciel Takes Flight’ Makes Science Soar at Lifeline Theatre

Montauciel Takes Flight at Lifeline celebrates science and the spirit of invention. You know a children’s show is successful if the kids are singing the songs on the car ride home. The charming original musical Montauciel Takes Flight, by James E. Grote (book) and Russell J. Coutinho (music and lyrics), directed by Aileen McGroddy, is based on the true story of the first living creatures to ride in a hot air balloon. The play tells the story of the Montgolfier brothers, paper manufacturers in 1783 France who launched a balloon containing a duck, a rooster and a sheep named Montauciel, a name that means “climb-to-the-sky.” The balloon and its animal occupants landed safely after traveling over two miles, ushering in a new era of manned flight. Continue reading “‘Montauciel Takes Flight’ Makes Science Soar at Lifeline Theatre”