P.Y.G. or the Mis-Edumacation of Dorian Belle is a comedy all about race and pop culture. Jackalope’s latest show written by Tearrance Arvelle Chisolm and directed by Lili-Anne Brown follows three figures navigating a satirical version of the pop music industry. Dorian Belle (Garrett Young) is a white pop star looking to make his image a little “tougher”. Petty Young Goons (P.Y.G.) are an up and coming rap duo who have been hired to teach Dorian about hip hop, despite their own inner conflicts about it. The whole affair is wrapped up tightly as a reality tv show. The show is energetic and funny while also wading deep into questions about authenticity and appropriation. Continue reading “Satire, or The Double Consciousness of the Black Artist in ‘P.Y.G.’ at Jackalope Theatre”
Invisible by Mary Bonnett, produced by Her Story Theater, seeks to complicate our contemporary understandings of the KKK, and their lasting impact on the relationship between racism and political power in the US. Directed by Cecille Keenan, the play focuses on a white couple, Mabel (Morgan Laurel Cohen) and Tom (Brad Harbaugh), who are well established in their small town of Mounds.
As a well respected man in town, Tom is naturally part of Mounds’ Ku Klux Klan chapter. Mabel, meanwhile has taken the role of an officer in Mounds’ newly formed branch of the Women’s KKK. Mabel, however, is something of a misfit and struggles to get along with the other two WKKK officers, despite her commitment to the KKK’s values of Christianity and domesticity. Across town, Jubal (Lisa McConnell), a Black artist and activist, lives with Ghost Girl (Maddy Fleming), an albino girl she found abandoned as a baby. When Mr. Stein (Richard Covotsky), a Jewish reporter from Chicago, travels through Mounds, tension builds and leads to death and destruction.
Bury Me, written by Brynne Frauenhoffer and receiving its world premiere with Dandelion Theatre, tells the story of a family making hard decisions about marriage, children, and death. By drawing its audience into the complicated lives of one family, Bury Me explores these hotly debated topics through moments of personal exploration. Continue reading “‘Bury Me’ A World Premiere at Dandelion Theatre”
Weaving together hints of noir, small town angst, and overwhelming structures of power, Cloudgate Theatre’s production of Strange Heart Beating is a powerful play with a magical feel to it. Written by Kristin Idaszak, Strange Heart Beating tells the story of two best friends. One, Leeny (Leah Raidt) is a local single mother whose daughter disappears and is murdered one summer. The other, Teeny ( Jyreika Guest) , is the sheriff of the town and one of the few Black people in town. Narrated by the town lake ( Stephanie Shum ) who is intimately familiar with the town’s histories of violence. Strange Heart Beating makes thoughtful connections between individual and systemic violence, without feeling narrow or didactic. Continue reading “Nature Reckons with Power, History, and Violence in ‘Strange Heart Beating’”
The Gift Theatre’s world premiere of Wolf Play by Hansol Jung is a close up look at the politics of adoption and their personal impact on the children and families involved. Wolf Play follows a short period of time in the life of an adopted boy (Dan Lin), billed as “Wolf”, but variably called “Peter” and “Jeenu”. When the boy is re-homed with a biracial lesbian couple after being adopted from Korea by a white straight couple, he leans into his identity as an abandoned wolf for guidance and comfort. The present day wolf narrates his story, and embodies the child wolf through a Bunraku-style puppet (Stephanie Diaz). As new family tensions and power dynamics unfurl around the wolf in his new environment we watch him adjust and calculate. Continue reading “‘Wolf Play’ Raises the Complexities of Adoption”
Something Clean by Selina Fillinger, tells the story of a woman trying to cope after her son is convicted and sent to prison on sexual assault charges. Produced by Sideshow Theatre Company and Rivendell Theatre Company in collaboration, directed by Lauren Shouse, Something Clean asks audiences to consider the trauma and attempts toward healing for the families of rapists. Continue reading “‘Something Clean’ Explores the Reverberations of Assault at Sideshow Theatre”
Ada and The Engine by Lauren Gunderson retells the life of feminist hero Ada Lovelace, often called the first computer programmer, as a romance. The play weaves a love story between Lovelace, played by Brooklyn Hébert, and Charles Babbage (Rich Holton) who invented two hypothetical machines capable of taking commands to solve mathematical problems as computers do now. It also explores how Ada may have been haunted by the life her father Lord Byron (John LaFlamboy) lived, especially how his absence and philandering affected her relationship with her mother. Continue reading “‘Ada and The Engine’ Doesn’t Get Where It’s Going”
Walking into EthiopianAmerica, the audience is greeted by the almost ceaseless dancing of the main character Johnny (Simon Gebremedhin). It’s a durational pre-performance which gives the audience a hint of what’s to come. Sam Kebede’s world premiere play directed by Sophiyaa Nayar shows us a slice in the life of an Ethiopian-American family living in southern California, Two brothers, Johnny and Danny (Freedom Martin), are apparent opposites Johnny is a nerd at school and a frenetic ball of energy at home who impulsively watches the same movies again and again. Danny, the younger brother, is a jock at school, but at home he’s distant and lethargic, biting his tongue often and choosing to sketch in his journal instead. As we watch the family move through a day in sped up time, we begin to realize that the children’s behaviors are indicative of a larger imbalance in the family’s power dynamics. Continue reading “‘EthiopianAmerica’ Offers A New Perspective on the American Drama”